$2.40

Still Life with Grapes and a Carnation

Still Life with Grapes and a Carnation by Henri Fantin-Latour is a printable still life artwork created in c. 1880.

Tags: still life, printable, artwork, wall art, henri fantin-latour, horizontal, realism, french, vintage, 00205

Print sizes

Digital download includes 6 print-ready, high-resolution 300 DPI JPEG files, that support the following print formats.

ISO (International paper size) for printing:

  • A6, A5, A4, A3, A2, A1


2:3 aspect ratio, for printing:

  • Inches: 6x4, 12x8, 15x10, 24x16, 30x20, 36x24
  • Centimeters: 6x4cm, 12x8, 15x10, 24x16, 30x20, 36x24, 45x30, 54x36, 60x40, 66x44, 72x48, 90x60


4:3 aspect ratio, for printing:

  • Inches:
    8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters:
    8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60


4:3 aspect ratio, for printing:

  • Inches: 8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters: 8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60


5:4 aspect ratio, for printing:

  • Inches: 5x4, 10x8, 20x16, 30x24
  • Centimeters: 15x12, 25x20, 30x24, 35x28, 50x40, 70x56


Square, for printing:

  • Inches: up to 24x24
  • Centimeters: up to 60x60
Instant download
Your files will be downloadable immediately after we confirm your payment. 

Instant download products cannot be returned, exchanged, and are not refundable. If you encounter any issues with your order, please reach out to us.
Return policy

All sales are final. Due to the digital nature of our products, we cannot accept returns or exchanges. Once a digital product has been purchased, it cannot be returned or exchanged. Read more

Still Life with Grapes and a Carnation by Henri Fantin-Latour

Still Life with Grapes and a Carnation' is a painting by the French artist Henri Fantin-Latour. It was created in 1865. The painting is a still life, a type of artwork that depicts inanimate objects. The objects in this painting are a bunch of grapes and a single carnation flower. The painting is done in oil on canvas, a common medium for artists of the time. The canvas measures 32.4 cm in height and 24.1 cm in width. The painting is signed by the artist in the lower left corner. The signature reads 'Fantin'. The painting is currently held in the collection of the National Gallery of Art in Washington, D.C. The painting is realistic in style, with careful attention to detail. The grapes are depicted in various shades of purple and green, with highlights and shadows that give them a three-dimensional appearance. The carnation is painted in a vibrant red color, with individual petals clearly visible. The flower is placed in a small glass vase, which is rendered with a high degree of realism. The vase is transparent, allowing the viewer to see the stem of the flower and the water inside. The background of the painting is a neutral gray color, which allows the brightly colored objects to stand out. The composition of the painting is simple and balanced. The grapes are placed on the left side of the canvas, while the carnation is on the right. The objects are arranged on a flat surface, which is suggested by a horizontal line at the bottom of the canvas. The painting is lit from the left, creating shadows on the right side of the objects. This lighting adds depth and volume to the objects, enhancing their realism. The brushwork in the painting is smooth and precise. The artist has used thin layers of paint to build up the forms of the objects. The brushstrokes are not visible, creating a smooth surface. This technique is characteristic of Fantin-Latour's still life paintings. 'Still Life with Grapes and a Carnation' is a fine example of Fantin-Latour's skill in still life painting. It demonstrates his ability to depict objects with a high degree of realism and his mastery of the oil painting technique. The painting is also notable for its simplicity and elegance, qualities that are characteristic of Fantin-Latour's work.

Henri Fantin-Latour was known for his unique art technique, which is clearly visible in his artwork, "Still Life with Grapes and a Carnation". He was a master of the still life genre, and his technique involved a careful and meticulous approach to detail. He would spend a lot of time observing his subjects, studying their form, color, and texture. He would then translate these observations onto the canvas with great precision. His technique was not about capturing a fleeting moment, but rather about creating a timeless representation of the subject. He would often use a subdued color palette, with a focus on whites, grays, and blacks. This allowed him to create a sense of depth and volume, and to highlight the play of light and shadow on the objects. He would also use a smooth brushwork, which gave his paintings a polished and refined look. His technique also involved a careful arrangement of the objects. He would place them in a way that created a balanced and harmonious composition. He would often use a symmetrical arrangement, with the objects placed in the center of the canvas and surrounded by a neutral background. This allowed the viewer to focus on the objects and their details. His technique was not about creating a dramatic or emotional effect, but rather about presenting the objects in a clear and straightforward manner. His technique was a reflection of his belief in the importance of observation and precision in art. He believed that the artist's role was not to interpret or embellish, but to faithfully represent the world as it is. His technique was a testament to his dedication to this belief.

Henri Fantin-Latour was a French painter known for his still-life paintings and portraits. He was born in 1836 and died in 1904. His work, "Still Life with Grapes and a Carnation," was created in 1865. This was a time when France was undergoing significant changes. The country was transitioning from a monarchy to a republic. This was a period of political instability and social change. The art world was also changing. The traditional style of painting, known as academic art, was being challenged by new styles like impressionism. Fantin-Latour was a contemporary of the impressionists, but he did not adopt their style. Instead, he continued to paint in a more traditional manner. His still-life paintings, like "Still Life with Grapes and a Carnation," are known for their detailed realism. They show everyday objects, like fruit and flowers, in a simple and straightforward way. The objects are carefully arranged and meticulously painted. The light and shadow are subtly rendered to create a sense of depth and volume. The colors are muted and harmonious. The composition is balanced and stable. These qualities give his paintings a quiet and timeless beauty. They also reflect the values of the time. In the 19th century, still-life painting was considered a lower form of art. It was not as prestigious as history painting or portraiture. But Fantin-Latour elevated the genre. He showed that everyday objects could be the subject of serious art. His work was appreciated by his contemporaries and continues to be admired today. It represents a link between the old and the new, between tradition and modernity. It is a testament to the enduring power of art to capture the beauty of the world around us.

Still Life with Grapes and a Carnation by Henri Fantin-Latour is a remarkable piece of art that showcases the artist's mastery in still life painting. The artwork is a testament to Fantin-Latour's ability to capture the beauty and essence of everyday objects. The painting features a bunch of grapes and a single carnation, both of which are rendered with meticulous detail. The grapes, with their varying shades of purple and green, are depicted with such precision that one can almost feel their plumpness and taste their sweetness. The carnation, on the other hand, stands out with its vibrant red color, adding a touch of contrast to the overall composition. The artist's use of light and shadow is also noteworthy, as it adds depth and dimension to the painting. The light source, coming from the left side of the painting, casts shadows that give the objects a three-dimensional effect. The background, painted in muted tones, further highlights the objects in the foreground. The painting's composition is simple yet effective, with the objects placed in a way that draws the viewer's eye from one element to the next. The artist's choice of a neutral background allows the viewer to focus on the objects without any distractions. The painting's overall aesthetic is one of elegance and simplicity, reflecting Fantin-Latour's preference for understated beauty. The artist's skill in capturing the texture and color of the objects is evident in every brushstroke, making this painting a fine example of his work. Still Life with Grapes and a Carnation is not just a depiction of objects, but a celebration of the beauty found in the mundane. It is a testament to Fantin-Latour's talent and his contribution to the genre of still life painting.