$2.40

View from the dunes on Koog in Texel

View from the dunes on Koog in Texel by Jan Toorop is a printable landscape painting created in 1917.

Tags: landscape, printable, painting, wall art, jan toorop, horizontal, vintage, 00568

Print sizes

Digital download includes 6 print-ready, high-resolution 300 DPI JPEG files, that support the following print formats.

ISO (International paper size) for printing:

  • A6, A5, A4, A3, A2, A1


2:3 aspect ratio, for printing:

  • Inches: 6x4, 12x8, 15x10, 24x16, 30x20, 36x24
  • Centimeters: 6x4cm, 12x8, 15x10, 24x16, 30x20, 36x24, 45x30, 54x36, 60x40, 66x44, 72x48, 90x60


4:3 aspect ratio, for printing:

  • Inches:
    8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters:
    8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60


4:3 aspect ratio, for printing:

  • Inches: 8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters: 8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60


5:4 aspect ratio, for printing:

  • Inches: 5x4, 10x8, 20x16, 30x24
  • Centimeters: 15x12, 25x20, 30x24, 35x28, 50x40, 70x56


Square, for printing:

  • Inches: up to 24x24
  • Centimeters: up to 60x60
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View from the dunes on Koog in Texel by Jan Toorop

"View from the dunes on Koog in Texel" is an oil painting by Dutch-Indonesian artist Jan Toorop. It was created in 1887. The painting is a landscape, showing a view from the dunes on the island of Texel in the Netherlands. The painting is done in the style of Impressionism, a movement in art that was popular in the late 19th and early 20th centuries. Impressionist artists tried to capture the feeling or impression of a scene, rather than focusing on precise details. In this painting, Toorop uses loose brushstrokes and bright colors to create a sense of light and atmosphere. The foreground of the painting shows a sandy dune covered with grass. The dune slopes down towards a flat landscape, which is filled with fields and a few small buildings. The fields are painted in shades of green and yellow, suggesting that they are covered with crops. The buildings are small and simple, painted in earthy tones. They are scattered across the landscape, suggesting a rural setting. In the background, there is a wide, open sky. The sky is painted in shades of blue and white, with fluffy clouds scattered across it. The clouds are painted in a loose, impressionistic style, with broad brushstrokes and a mix of colors. The sky takes up a large part of the painting, giving a sense of space and openness. The painting is signed by the artist in the lower right corner. The signature is small and unobtrusive, blending in with the colors of the painting. The painting is framed in a simple, wooden frame. The frame is painted in a dark color, which contrasts with the bright colors of the painting. The frame is simple and unadorned, allowing the viewer to focus on the painting itself. The painting is currently held in a museum, where it is displayed for the public to view. The painting is protected by a layer of glass, which helps to preserve it and keep it safe from damage. The painting is lit by soft, indirect light, which highlights the colors and brushstrokes of the painting. The painting is displayed on a white wall, which provides a neutral background and allows the colors of the painting to stand out. The painting is accompanied by a small plaque, which provides information about the artist and the painting. The plaque is placed next to the painting, allowing viewers to read about the painting while they view it. The painting is considered an important work in the artist's career, and it is often studied by art historians and students.

Jan Toorop, a Dutch-Indonesian artist, used a unique technique in creating the artwork "View from the dunes on Koog in Texel". This technique is known as pointillism. Pointillism is a method of painting in which small, distinct dots of color are applied in patterns to form an image. Toorop's use of pointillism in this artwork is evident in the way he used tiny dots of paint to create the landscape. Instead of using broad strokes of paint, he used small dots. Each dot might seem insignificant on its own, but when viewed together, they form a complete image. This technique requires a lot of patience and precision. It's like creating a puzzle, where each piece is a tiny dot of paint. Toorop's use of pointillism in this artwork is not just about creating an image. It's also about creating depth and texture. The dots of paint give the artwork a sense of depth. They make the landscape seem more real and tangible. The dots also create texture. They make the artwork feel rough and rugged, just like the actual landscape. Toorop's use of pointillism in this artwork is also about playing with light and color. The dots of paint reflect light in different ways. This creates a sense of movement and dynamism. The dots also allow Toorop to experiment with color. He can mix and match different colors to create new shades and tones. This gives the artwork a vibrant and lively feel. Toorop's use of pointillism in this artwork is a testament to his skill and creativity. It shows his ability to transform a simple technique into a powerful tool for creating art. It also shows his ability to capture the beauty and complexity of the natural world.

Jan Toorop, a Dutch-Indonesian artist, painted "View from the dunes on Koog in Texel" in 1887. This painting is significant because it represents a shift in Toorop's style from realism to symbolism, a movement that was gaining popularity in Europe at the time. Symbolism was a reaction against the industrialization and urbanization of the late 19th century, and artists like Toorop used symbols to express emotions and ideas. In "View from the dunes on Koog in Texel," Toorop uses the landscape of Texel, an island in the Netherlands, to convey a sense of tranquility and peace. The painting features a wide view of the dunes, with a small figure in the distance, suggesting the vastness of nature and the insignificance of man. The use of soft, muted colors adds to the peaceful atmosphere of the painting. This painting was created during a time of significant change in the Netherlands. The country was undergoing rapid industrialization, with new factories and railways transforming the landscape. At the same time, there was a growing interest in preserving the natural beauty of the country, and artists like Toorop played a crucial role in this movement. They used their art to highlight the beauty of the Dutch landscape and to advocate for its preservation. "View from the dunes on Koog in Texel" is a perfect example of this, as it presents a pristine, untouched view of the Dutch countryside. This painting also coincides with a period of personal change for Toorop. In 1885, he had moved to Brussels, where he became involved with the avant-garde art scene. He was influenced by a variety of artistic movements, including impressionism and pointillism, and he began to experiment with different styles and techniques. "View from the dunes on Koog in Texel" represents a turning point in his career, as he moved away from realism and towards symbolism. This painting is not only a beautiful depiction of the Dutch landscape, but also a reflection of the artistic and social changes taking place in the Netherlands and Europe at the end of the 19th century.

The artwork "View from the dunes on Koog in Texel" by Jan Toorop is a remarkable piece that showcases the artist's unique style and his ability to capture the beauty of nature. The painting is a representation of the landscape of Texel, an island in the Netherlands, as seen from the dunes of Koog. Toorop's use of color and light in this painting is noteworthy. He uses a palette of soft, muted colors to depict the landscape, creating a sense of tranquility and peace. The sky is painted in shades of blue and white, suggesting a clear, sunny day. The dunes are depicted in shades of brown and green, indicating the presence of vegetation. The sea is painted in shades of blue and green, reflecting the colors of the sky and the dunes. The use of light in the painting is also significant. Toorop uses light to highlight certain areas of the painting, such as the dunes and the sea, creating a sense of depth and dimension. The painting also features a few small buildings, which are painted in darker colors, providing a contrast to the lighter colors of the landscape. The buildings are simple and unadorned, suggesting a rural, unspoiled setting. The painting is a testament to Toorop's skill as a landscape artist. His ability to capture the beauty of the natural world, and to convey a sense of peace and tranquility through his use of color and light, is evident in this artwork. The painting is a beautiful representation of the landscape of Texel, and a wonderful example of Toorop's artistic style.