A stag at Sharkey's

A stag at Sharkey's by George Wesley Bellows is a printable group portrait created in 1917.

Tags: group portrait, printable, wall art, george wesley bellows, horizontal, vintage, 00920

Print sizes

Digital download includes 6 print-ready, high-resolution 300 DPI JPEG files, that support the following print formats.

ISO (International paper size) for printing:

  • A6, A5, A4, A3, A2, A1

2:3 aspect ratio, for printing:

  • Inches: 6x4, 12x8, 15x10, 24x16, 30x20, 36x24
  • Centimeters: 6x4cm, 12x8, 15x10, 24x16, 30x20, 36x24, 45x30, 54x36, 60x40, 66x44, 72x48, 90x60

4:3 aspect ratio, for printing:

  • Inches:
    8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters:
    8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60

4:3 aspect ratio, for printing:

  • Inches: 8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters: 8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60

5:4 aspect ratio, for printing:

  • Inches: 5x4, 10x8, 20x16, 30x24
  • Centimeters: 15x12, 25x20, 30x24, 35x28, 50x40, 70x56

Square, for printing:

  • Inches: up to 24x24
  • Centimeters: up to 60x60
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A stag at Sharkey's by George Wesley Bellows

"A Stag at Sharkey's" is an oil painting created by American artist George Wesley Bellows in 1909. It is a part of the Ashcan School, a movement in early 20th-century American art that focused on scenes of daily life in New York City. The painting measures 36 1/4 x 48 1/4 inches. It is currently housed in the Cleveland Museum of Art. The painting depicts a boxing match in a private club. The club, known as Sharkey's, was a popular spot for illegal prizefights in New York City. The title of the painting refers to the term "stag", which was used to describe a newcomer or outsider in the boxing world. The painting is known for its raw, gritty realism. It captures the intensity and violence of the boxing match. The two boxers are shown in the center of the painting, locked in combat. One boxer, wearing dark shorts, is throwing a punch at his opponent, who is wearing light shorts. The faces of the boxers are contorted with effort and strain. The audience is shown in the background, their faces a blur of excitement and anticipation. The painting uses a limited color palette, with shades of brown, black, and white dominating the scene. The brushwork is loose and expressive, adding to the sense of movement and energy in the painting. The lighting in the painting is dramatic, with the boxers highlighted against the darker background. This creates a sense of depth and focus on the central action of the painting. The painting is considered one of Bellows' most famous works and a key example of the Ashcan School's focus on the harsh realities of urban life.

George Wesley Bellows, the artist behind "A Stag at Sharkey's," was known for his use of the technique called realism. Realism is a style of art that aims to depict subjects as they appear in everyday life, without embellishment or interpretation. Bellows was a master of this technique, using it to capture the raw, gritty reality of urban life in early 20th century America. In "A Stag at Sharkey's," Bellows uses realism to depict a brutal boxing match in a New York City bar. He uses strong, bold brushstrokes to create a sense of movement and intensity. The fighters are not idealized or romanticized, but are shown as they are - sweaty, muscular, and fiercely focused on their fight. Bellows also uses the technique of chiaroscuro, which involves the use of strong contrasts between light and dark to create depth and volume. This technique helps to highlight the physicality of the boxers and the intensity of the fight. The crowd in the background is rendered in darker tones, which helps to draw the viewer's attention to the fighters in the foreground. Bellows also uses perspective to create a sense of depth and space in the painting. The ring and the crowd seem to recede into the background, giving the impression of a large, crowded space. This use of perspective also helps to create a sense of immediacy and involvement for the viewer, as if they are right there in the bar, watching the fight. Overall, Bellows' use of realism, chiaroscuro, and perspective in "A Stag at Sharkey's" serves to create a vivid, dynamic depiction of a boxing match, capturing the raw energy and intensity of the scene.

George Wesley Bellows was an American realist painter, known for his bold depictions of urban life in New York City during the early 20th century. "A Stag at Sharkey's" is one of his most famous works, painted in 1909. This painting captures a brutal boxing match in a private club, Sharkey's, which was located in the city's Lower East Side. At this time, public boxing matches were illegal in New York, but private clubs like Sharkey's found a way around the law. They would host "members-only" matches, which were often attended by the city's elite. Bellows was not a member of the club, but he was fascinated by the raw, gritty world of underground boxing. He often visited Sharkey's to sketch the fighters and the crowd. In "A Stag at Sharkey's", Bellows uses dark, dramatic colors to highlight the violence and intensity of the fight. The two boxers are shown in the middle of a fierce exchange, their bodies straining with effort. The crowd is just as animated, their faces twisted with excitement and anticipation. This painting is a powerful representation of the harsh realities of life in the city, far removed from the glamorous image often associated with New York. It also reflects the social changes taking place at the time. The early 20th century was a period of rapid industrialization and urbanization in the United States. Many people were moving to cities in search of work, leading to overcrowding and social tension. This was especially true in New York, which was becoming one of the world's leading financial and cultural centers. Bellows' paintings provide a stark, unflinching look at this turbulent period in American history. They show the struggles and hardships faced by ordinary people, as well as the resilience and determination that defined the spirit of the city. Despite the harshness of his subjects, Bellows' work is often characterized by a sense of empathy and humanity. He had a keen eye for detail and a deep understanding of human nature, which allowed him to create complex, nuanced portrayals of life in the city. His paintings are not just a record of a specific time and place, but a reflection of the human condition in all its complexity and contradiction.

"A Stag at Sharkey's" by George Wesley Bellows is a powerful depiction of the raw and brutal world of underground boxing in the early 20th century. Bellows uses his artistic skills to capture the intensity and violence of the sport, with the two boxers in the center of the painting engaged in a fierce battle. The artist's use of dark, heavy brushstrokes and stark contrasts of light and shadow add to the dramatic effect of the scene. The spectators in the background, their faces obscured by the darkness, add an element of mystery and intrigue to the painting. The painting is a reflection of the social conditions of the time, with boxing serving as a metaphor for the struggle for survival in a harsh and unforgiving world. Bellows' ability to capture the raw emotion and physicality of the boxers, as well as the excitement and tension of the crowd, makes "A Stag at Sharkey's" a compelling and thought-provoking work of art. The painting is not just a depiction of a boxing match, but a commentary on the human condition, highlighting the struggle, pain, and resilience that define our existence. Despite its violent subject matter, "A Stag at Sharkey's" is a testament to Bellows' skill as an artist and his ability to convey complex emotions and social commentary through his work.