$2.40

Campo dei Frari, Venice

Campo dei Frari, Venice by John Singer Sargent is a printable cityscape painting created in 1880.

Tags: cityscape, printable, painting, wall art, john singer sargent, horizontal, vintage, 00013

Print sizes

Digital download includes 6 print-ready, high-resolution 300 DPI JPEG files, that support the following print formats.

ISO (International paper size) for printing:

  • A6, A5, A4, A3, A2, A1


2:3 aspect ratio, for printing:

  • Inches: 6x4, 12x8, 15x10, 24x16, 30x20, 36x24
  • Centimeters: 6x4cm, 12x8, 15x10, 24x16, 30x20, 36x24, 45x30, 54x36, 60x40, 66x44, 72x48, 90x60


4:3 aspect ratio, for printing:

  • Inches:
    8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters:
    8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60


4:3 aspect ratio, for printing:

  • Inches: 8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters: 8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60


5:4 aspect ratio, for printing:

  • Inches: 5x4, 10x8, 20x16, 30x24
  • Centimeters: 15x12, 25x20, 30x24, 35x28, 50x40, 70x56


Square, for printing:

  • Inches: up to 24x24
  • Centimeters: up to 60x60
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Campo dei Frari, Venice by John Singer Sargent

Campo dei Frari, Venice' is an oil painting by American artist John Singer Sargent. It was painted in 1882 during Sargent's time in Venice, Italy. The painting measures 21.3 x 13.8 inches, a relatively small size compared to some of Sargent's other works. The artwork depicts a scene from the Campo dei Frari, a public square in Venice. The square is named after the Basilica di Santa Maria Gloriosa dei Frari, a large church that is visible in the background of the painting. The church's tall, brick bell tower, known as a campanile, is a prominent feature in the painting. The tower is painted in warm, earthy tones, contrasting with the cool blues and grays of the sky. The square is filled with people, all painted in a loose, impressionistic style. The people are not detailed, but their postures and movements suggest a bustling, lively scene. Some people are standing and talking, others are walking or sitting. There are also several dogs in the square, adding to the sense of everyday life. The buildings surrounding the square are painted in a similar loose style, with their architectural details suggested rather than meticulously rendered. The painting is dominated by warm, earthy tones, with pops of brighter colors in the clothing of the people and the awnings of the buildings. The brushwork is loose and expressive, typical of Sargent's style. The painting is signed 'John S. Sargent' in the lower left corner.

John Singer Sargent, the artist behind the artwork "Campo dei Frari, Venice," used a technique known as Impressionism. This technique is characterized by small, thin, yet visible brush strokes. The focus is on accurately depicting the changing qualities of light and color in a scene, rather than providing meticulous detail. Sargent was known for his ability to capture the essence of a scene with quick, confident brushstrokes. He would often paint en plein air, or outdoors, to better capture the natural light and color of his surroundings. This technique allowed him to depict the vibrant, bustling atmosphere of the Campo dei Frari in Venice. He used loose brushwork to suggest the movement and energy of the people in the square. The buildings are not meticulously detailed, but rather suggested through broad strokes of color. This gives the viewer a sense of the grandeur and scale of the architecture without overwhelming the scene with detail. Sargent also used color to create depth and perspective in his painting. He used warmer colors in the foreground and cooler colors in the background. This creates a sense of depth and distance in the painting. The use of light and shadow is also important in Sargent's work. He would often use contrasting areas of light and dark to create a sense of drama and mood. In "Campo dei Frari, Venice," the bright sunlight contrasts with the shadowy buildings, drawing the viewer's eye into the painting. Overall, Sargent's use of the Impressionist technique allowed him to capture the energy, light, and color of the scene in a way that feels immediate and vibrant.

John Singer Sargent, an American artist, painted "Campo dei Frari, Venice" in 1882 during his time in Italy. This painting is significant because it showcases Sargent's unique style of combining realism with impressionism, a new art movement that was gaining popularity during this time. Realism is a style of art that aims to depict subjects as they appear in real life, while impressionism seeks to capture the fleeting effects of light and color. Sargent's painting of the Campo dei Frari, a public square in Venice, demonstrates his ability to blend these two styles. He accurately portrays the architecture of the buildings and the layout of the square, but he also uses loose brushstrokes and vibrant colors to convey the atmosphere and mood of the scene. This painting is also significant because it reflects the influence of Venice on Sargent's work. Venice is a city known for its beautiful architecture and canals, and these features are prominently displayed in "Campo dei Frari, Venice". The painting shows a view of the square with the Basilica di Santa Maria Gloriosa dei Frari in the background, one of the most famous churches in Venice. The church's tall bell tower and large, ornate facade are clearly visible, demonstrating Sargent's attention to detail and his appreciation for Venetian architecture. This painting was created during a time when Venice was a popular destination for artists, and Sargent's depiction of the city reflects his own experiences and impressions of it. Furthermore, "Campo dei Frari, Venice" was painted during a period of significant change in Europe. The late 19th century was a time of rapid industrialization and urbanization, and these changes were reflected in the art of the period. Artists like Sargent were increasingly interested in depicting modern life and the changing urban landscape. However, Venice was a city that had largely resisted these changes, and its timeless beauty and historic architecture provided a contrast to the modern cities of Europe. Sargent's painting of the Campo dei Frari captures this contrast, showing a scene that seems untouched by the changes happening elsewhere. This painting is therefore not only a beautiful depiction of a Venetian square, but also a reflection of the historical context in which it was created.

Campo dei Frari, Venice by John Singer Sargent is a remarkable piece of art that showcases the artist's mastery in capturing the essence of a place. The painting, created during Sargent's time in Venice, is a testament to his ability to portray the city's unique charm and beauty. The artwork features the Campo dei Frari, a popular square in Venice, and the Basilica di Santa Maria Gloriosa dei Frari, one of the city's most significant churches. Sargent's use of light and shadow in the painting is noteworthy. He skillfully uses these elements to highlight the architectural details of the buildings and to create a sense of depth and perspective. The painting's color palette, dominated by warm tones, adds to the overall atmosphere of the scene. The artist's loose brushwork, a characteristic feature of his style, gives the painting a sense of spontaneity and liveliness. Sargent's attention to detail is evident in the depiction of the people in the square. Despite their small size, they are painted with precision, adding a sense of realism to the scene. The painting also reflects Sargent's fascination with Venice, a city he visited multiple times during his career. Through his depiction of the Campo dei Frari, he captures the city's unique blend of grandeur and decay, its bustling life, and its timeless beauty. Campo dei Frari, Venice is not just a painting of a cityscape; it is a reflection of Sargent's perception of Venice, a city that greatly inspired him. The artwork stands as a testament to Sargent's talent and his ability to capture the spirit of a place in his paintings.