$2.40

Some Aspects of Life in Paris, 7: The Square in the Evening

Some Aspects of Life in Paris, 7: The Square in the Evening by Pierre Bonnard is a printable cityscape painting created in 1898.

Tags: cityscape, printable, painting, wall art, pierre bonnard, horizontal, vintage, 01324

Print sizes

Digital download includes 6 print-ready, high-resolution 300 DPI JPEG files, that support the following print formats.

ISO (International paper size) for printing:

  • A6, A5, A4, A3, A2, A1


2:3 aspect ratio, for printing:

  • Inches: 6x4, 12x8, 15x10, 24x16, 30x20, 36x24
  • Centimeters: 6x4cm, 12x8, 15x10, 24x16, 30x20, 36x24, 45x30, 54x36, 60x40, 66x44, 72x48, 90x60


4:3 aspect ratio, for printing:

  • Inches:
    8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters:
    8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60


4:3 aspect ratio, for printing:

  • Inches: 8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters: 8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60


5:4 aspect ratio, for printing:

  • Inches: 5x4, 10x8, 20x16, 30x24
  • Centimeters: 15x12, 25x20, 30x24, 35x28, 50x40, 70x56


Square, for printing:

  • Inches: up to 24x24
  • Centimeters: up to 60x60
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Some Aspects of Life in Paris, 7: The Square in the Evening by Pierre Bonnard

"Some Aspects of Life in Paris, 7: The Square in the Evening" is an oil painting by French artist Pierre Bonnard. It was created in 1899, during the Post-Impressionist period. The painting measures 46.5 by 55.5 centimeters. It is part of a series of works that Bonnard created to depict various scenes of life in Paris. The painting shows a view of a public square in the evening. The square is filled with people who are engaged in various activities. Some people are walking, some are sitting on benches, and others are standing and talking. There are also several dogs in the scene. The buildings surrounding the square are painted in warm, earthy tones. The sky is a deep blue, suggesting that it is late in the evening. The painting is characterized by Bonnard's distinctive use of color and light. He uses a variety of hues to create a sense of depth and to convey the atmosphere of the scene. The brushwork is loose and expressive, which is typical of the Post-Impressionist style. The painting is currently housed in the Musée d'Orsay in Paris, France.

Pierre Bonnard, a French painter and printmaker, was known for his unique art technique that involved the use of bold and vibrant colors. In his artwork, "Some Aspects of Life in Paris, 7: The Square in the Evening," Bonnard used this technique to create a vivid and lively depiction of a Parisian square in the evening. He used a variety of colors to capture the different elements of the scene, from the buildings and trees to the people and the sky. Bonnard's use of color was not just about creating a visually appealing image. It was also about conveying a certain mood or atmosphere. In this artwork, the warm and bright colors create a sense of energy and excitement, reflecting the bustling activity of the Parisian square. At the same time, the darker and cooler colors create a sense of calm and tranquility, reflecting the peacefulness of the evening. This contrast between the warm and cool colors adds depth and complexity to the artwork, making it more engaging and interesting to look at. Bonnard's use of color was also about capturing the changing light and atmosphere of the scene. He would often paint the same scene at different times of the day, using different colors to reflect the changing light and atmosphere. In this artwork, the use of darker and cooler colors in the sky suggests that it is evening, while the use of brighter and warmer colors in the buildings and trees suggests that there is still some light left. This creates a sense of transition and change, reflecting the passing of time. Bonnard's use of color was not just about creating a visually appealing image or conveying a certain mood or atmosphere. It was also about capturing the essence and spirit of the scene. He believed that color was the most important element in painting, and he used it to express his own feelings and impressions of the scene. In this artwork, the bold and vibrant colors reflect Bonnard's love and admiration for the city of Paris, and his desire to capture its beauty and charm. This is a common theme in many of his artworks, and it is one of the reasons why he is considered one of the greatest colorists of the 20th century.

Pierre Bonnard, a French painter and printmaker, created "Some Aspects of Life in Paris, 7: The Square in the Evening" during the late 19th and early 20th centuries. This was a time of great change in France, particularly in Paris. The city was undergoing a process of modernization, with new buildings, roads, and public spaces being constructed. This was also the era of the Belle Époque, a period of peace and prosperity in France that lasted from the end of the Franco-Prussian War in 1871 until the start of World War I in 1914. During this time, Paris was a hub of artistic and intellectual activity, with many artists, writers, and thinkers living and working in the city. Bonnard was part of this vibrant cultural scene. He was a member of the Nabis, a group of avant-garde artists who were influenced by the Symbolist movement and the art of Paul Gauguin. They sought to move away from the realistic depiction of the world and instead focused on conveying the emotional and symbolic aspects of their subjects. In "Some Aspects of Life in Paris, 7: The Square in the Evening," Bonnard captures the atmosphere of a Parisian square at dusk. The painting is filled with soft, muted colors, creating a sense of tranquility and calm. The figures in the painting are not clearly defined, but rather blend into the background, suggesting the fleeting nature of human life in the face of the enduring cityscape. This work is a reflection of Bonnard's interest in the everyday life of Paris and his desire to capture the mood and spirit of the city. It also reflects the influence of the Nabis and their emphasis on the emotional and symbolic aspects of art. The painting is a testament to the artistic and cultural vitality of Paris during the Belle Époque, a time when the city was at the forefront of artistic innovation and experimentation.

The artwork "Some Aspects of Life in Paris, 7: The Square in the Evening" by Pierre Bonnard is a remarkable representation of the artist's unique style and his ability to capture the essence of everyday life in Paris. Bonnard, a member of the Post-Impressionist group of painters known as Les Nabis, was known for his use of vibrant colors and his ability to depict light and its effects. This painting is a perfect example of these characteristics. The scene is set in a public square in Paris during the evening, as suggested by the title. The artist uses a variety of colors to depict the fading light of the day and the onset of night. The buildings in the background are painted in warm hues of orange and yellow, suggesting the glow of the setting sun. The people in the square are painted in cooler tones of blue and green, suggesting the encroaching darkness. The contrast between the warm and cool colors creates a sense of depth and three-dimensionality in the painting. The artist also uses loose brushstrokes to suggest movement and life in the square. The figures are not clearly defined, but their forms and actions are suggested through the artist's use of color and brushwork. This technique gives the painting a sense of spontaneity and liveliness, as if the artist captured a fleeting moment in time. The painting also reflects Bonnard's interest in the everyday life of Parisians. The square is filled with people going about their daily activities, suggesting the hustle and bustle of city life. The artist's choice of subject matter and his depiction of the scene reflect his fascination with the city and its inhabitants. Overall, "Some Aspects of Life in Paris, 7: The Square in the Evening" is a testament to Bonnard's skill as a painter and his ability to capture the spirit of Paris in his work.