A Village Road near Auvers

A Village Road near Auvers by Paul Cézanne is a printable landscape painting created circa 1872–1873.

Tags: landscape, printable, painting, wall art, paul cézanne, horizontal, vintage, 00542

Print sizes

Digital download includes 6 print-ready, high-resolution 300 DPI JPEG files, that support the following print formats.

ISO (International paper size) for printing:

  • A6, A5, A4, A3, A2, A1

2:3 aspect ratio, for printing:

  • Inches: 6x4, 12x8, 15x10, 24x16, 30x20, 36x24
  • Centimeters: 6x4cm, 12x8, 15x10, 24x16, 30x20, 36x24, 45x30, 54x36, 60x40, 66x44, 72x48, 90x60

4:3 aspect ratio, for printing:

  • Inches:
    8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters:
    8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60

4:3 aspect ratio, for printing:

  • Inches: 8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters: 8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60

5:4 aspect ratio, for printing:

  • Inches: 5x4, 10x8, 20x16, 30x24
  • Centimeters: 15x12, 25x20, 30x24, 35x28, 50x40, 70x56

Square, for printing:

  • Inches: up to 24x24
  • Centimeters: up to 60x60
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A Village Road near Auvers by Paul Cézanne

"A Village Road near Auvers" is an oil painting by French artist Paul Cézanne, created in 1873. The painting measures 46.4 cm in height and 55.9 cm in width. It is a landscape painting, a common theme in Cézanne's work. The painting depicts a rural scene, with a dirt road winding through a village. The road is lined with houses on one side and trees on the other. The houses are painted in earthy tones of brown and beige, with red roofs. The trees are a mix of green and brown, suggesting the painting was made in the fall. The road, painted in shades of brown and gray, leads the viewer's eye into the distance, where it disappears into a patch of blue sky. The sky is a light blue, with white clouds scattered across it. The painting is done in Cézanne's distinctive style, with visible brushstrokes and a focus on the geometric shapes that make up the scene. The brushstrokes are loose and expressive, giving the painting a sense of movement and life. The geometric shapes, such as the rectangles of the houses and the ovals of the trees, give the painting a sense of structure and solidity. The painting is currently held in the collection of the National Gallery in London, England.

Paul Cézanne, a French artist, used a unique technique in creating his artwork "A Village Road near Auvers". This technique is known as "constructive brushwork". Constructive brushwork is a method where the artist uses small, thick strokes of paint to build up the image on the canvas. Each stroke is visible and contributes to the overall form of the objects in the painting. Cézanne's use of this technique is evident in the way he painted the trees, houses, and road in the artwork. The trees, for example, are not painted with smooth, blended strokes. Instead, they are made up of many small, thick strokes of different shades of green. This gives the trees a sense of volume and depth, making them appear more three-dimensional. The houses and road are painted in a similar way. The houses are not just flat shapes, but are built up with many small strokes of different colors. This gives them a sense of solidity and weight. The road, too, is not just a flat surface, but is made up of many small strokes of different shades of brown and gray. This gives the road a sense of texture and roughness. Cézanne's use of constructive brushwork in "A Village Road near Auvers" is a good example of his overall approach to painting. He did not just paint what he saw, but used his brushstrokes to build up the forms and volumes of the objects in his paintings. This technique gives his paintings a unique, almost sculptural quality. It also shows his interest in exploring the underlying structure of the natural world.

Paul Cézanne, a French artist, painted "A Village Road near Auvers" in the late 19th century. This was a time of great change in the art world. The Industrial Revolution had brought new technologies and materials, and artists were experimenting with new ways of seeing and representing the world. Cézanne was one of these artists. He was a pioneer of modern art and is often credited with paving the way for the Cubist movement, which would come later. His work is characterized by his innovative use of form and color, and "A Village Road near Auvers" is a great example of this. In this painting, Cézanne uses blocks of color and simple shapes to create a sense of depth and structure. He also uses loose brushstrokes to suggest movement and life. This was a radical departure from the detailed, realistic style that was popular at the time. Instead of trying to capture a perfect likeness of the scene, Cézanne was more interested in exploring the underlying structures and forms. This approach would have a profound influence on future generations of artists. At the same time, "A Village Road near Auvers" also reflects the social changes that were happening in France at the time. The Industrial Revolution had led to rapid urbanization, and many people were moving to the cities in search of work. This left many rural areas, like the one depicted in the painting, largely deserted. Cézanne's painting captures this sense of emptiness and isolation. But it also suggests a sense of nostalgia for a simpler, more peaceful way of life. This was a common theme in many of Cézanne's works. Despite the changes happening around him, he often chose to paint scenes of rural life and nature. This was perhaps a reflection of his own feelings about the modern world. Despite his innovative approach to painting, Cézanne was a deeply traditional man. He was deeply attached to his hometown of Aix-en-Provence and spent most of his life there. His paintings are a testament to his love for this region and its landscapes. They also reflect his belief in the enduring power of nature and the importance of tradition. In this way, "A Village Road near Auvers" is not just a painting, but a window into the mind of one of the most influential artists of the 19th century.

A Village Road near Auvers by Paul Cézanne is a remarkable piece of art that showcases the artist's unique style and his ability to capture the essence of a scene. The painting is a representation of a rural landscape, specifically a village road near Auvers, a small town in France. Cézanne's use of color and brushwork in this painting is noteworthy. He uses a variety of colors, from the bright greens of the trees to the soft blues of the sky, to create a vibrant and lively scene. His brushwork is loose and expressive, giving the painting a sense of movement and energy. The composition of the painting is also interesting. Cézanne places the road in the center of the painting, leading the viewer's eye into the distance. This creates a sense of depth and perspective, making the viewer feel as if they are standing on the road, looking into the distance. The buildings on either side of the road add to this sense of depth, as they are painted in a way that makes them appear to recede into the distance. The painting also reflects Cézanne's interest in the natural world. The trees, the sky, and the road are all painted with a great deal of detail, showing Cézanne's careful observation of nature. Overall, A Village Road near Auvers is a testament to Cézanne's skill as a painter and his ability to capture the beauty of the natural world. It is a painting that is both visually stunning and deeply evocative, making it a significant work in Cézanne's oeuvre.