$2.40

Bathers (Study for "Bathers at Asnières")

Bathers (Study for "Bathers at Asnières") by Georges Seurat is a printable group portrait created in 1883-1884.

Tags: group portrait, printable, wall art, georges seurat, horizontal, vintage, 00802

Print sizes

Digital download includes 6 print-ready, high-resolution 300 DPI JPEG files, that support the following print formats.

ISO (International paper size) for printing:

  • A6, A5, A4, A3, A2, A1


2:3 aspect ratio, for printing:

  • Inches: 6x4, 12x8, 15x10, 24x16, 30x20, 36x24
  • Centimeters: 6x4cm, 12x8, 15x10, 24x16, 30x20, 36x24, 45x30, 54x36, 60x40, 66x44, 72x48, 90x60


4:3 aspect ratio, for printing:

  • Inches:
    8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters:
    8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60


4:3 aspect ratio, for printing:

  • Inches: 8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters: 8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60


5:4 aspect ratio, for printing:

  • Inches: 5x4, 10x8, 20x16, 30x24
  • Centimeters: 15x12, 25x20, 30x24, 35x28, 50x40, 70x56


Square, for printing:

  • Inches: up to 24x24
  • Centimeters: up to 60x60
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Bathers (Study for "Bathers at Asnières") by Georges Seurat

"Bathers (Study for "Bathers at Asnières") is a preparatory oil sketch by French artist Georges Seurat. It was created in 1883 as a study for his larger work, "Bathers at Asnières". The painting measures 15.7 by 25.2 inches. It is currently housed in the National Gallery in London. The artwork depicts a group of young men relaxing by the river Seine in Asnières, a suburb of Paris. The scene is set on a sunny day, with the figures shown in various states of undress. Some are swimming in the river, while others are lounging on the riverbank. The painting is characterized by Seurat's distinctive style of pointillism, a technique in which small, distinct dots of color are applied in patterns to form an image. However, this study is more loosely painted than the final version, with broader brushstrokes and less detail. The color palette is dominated by warm tones of yellow, orange, and brown, with touches of blue and green. The composition is balanced, with the figures evenly distributed across the canvas. The perspective is slightly elevated, giving the viewer a sense of looking down on the scene. The painting is notable for its depiction of leisure activities, a common theme in Seurat's work. It also reflects the artist's interest in the effects of light and color, as well as his innovative use of painting techniques. Despite its status as a study, "Bathers (Study for "Bathers at Asnières")" is considered a significant work in its own right, demonstrating Seurat's mastery of composition and color.

Georges Seurat is known for his unique art technique called Pointillism. This technique involves the use of tiny dots of pure color that are applied in patterns to form an image. Seurat believed that this method of painting would make the colors appear brighter and more vibrant. In the artwork "Bathers (Study for 'Bathers at Asnières')," Seurat used this technique to create a vivid and lively scene. He did not mix his colors on the palette. Instead, he placed small dots of pure color next to each other on the canvas. When viewed from a distance, these dots blend together in the viewer's eye to create the desired color and shading. This technique requires a lot of patience and precision, as each dot must be carefully placed. Seurat's use of Pointillism in this artwork creates a sense of light and atmosphere. The tiny dots of color seem to shimmer and vibrate, giving the scene a sense of life and movement. This technique also allows Seurat to control the color and tone of the image very precisely. By adjusting the size, spacing, and color of the dots, he can create subtle variations in light and shadow. This gives the artwork a sense of depth and realism. Seurat's use of Pointillism in "Bathers (Study for 'Bathers at Asnières')" is a perfect example of how this technique can be used to create a vibrant and lifelike image.

Georges Seurat, a French artist, created the artwork "Bathers (Study for 'Bathers at Asnières')" in the late 19th century. This was a time of significant change in the art world. The Industrial Revolution had transformed the landscape of Europe, and artists were beginning to experiment with new ways of representing this changing world. Seurat was one of these artists. He was a leading figure in the post-Impressionist movement, which sought to move beyond the Impressionists' focus on the fleeting effects of light and color. Instead, post-Impressionists like Seurat aimed to bring a greater sense of structure and order to their work. "Bathers (Study for 'Bathers at Asnières')" is a prime example of this. In this artwork, Seurat uses small, precise brushstrokes to create a detailed and structured image. This technique, known as pointillism, was a radical departure from the loose, spontaneous brushwork of the Impressionists. The artwork depicts a group of men bathing in the River Seine near the industrial suburb of Asnières. This was a common scene in the late 19th century, as the Industrial Revolution had led to a massive increase in urban populations. Many people lived in crowded, unsanitary conditions, and public bathing in the river was a common way to stay clean. However, Seurat's artwork is not just a simple depiction of everyday life. It also reflects the social tensions of the time. The bathers are shown in a relaxed, leisurely pose, seemingly oblivious to the industrial factories in the background. This contrast between the leisurely bathers and the industrial landscape highlights the growing divide between the working class and the emerging middle class. The artwork also reflects Seurat's interest in scientific theories of color and light. He believed that by using small, precise brushstrokes of pure color, he could create a greater sense of light and depth in his paintings. This approach was influenced by the scientific discoveries of the time, which revealed that light is made up of different colors. By using this technique, Seurat was able to create a vibrant, luminous effect in his artwork. "Bathers (Study for 'Bathers at Asnières')" is therefore not just a depiction of a specific time and place, but also a reflection of the broader social and scientific changes of the late 19th century.

Bathers (Study for "Bathers at Asnières") by Georges Seurat is a significant piece of art that showcases the artist's unique style and approach to painting. This artwork is a study, which means it was a preparatory piece for a larger, more detailed work. Seurat used this study to experiment with color, composition, and form before creating his final masterpiece, "Bathers at Asnières". The painting depicts a group of men relaxing by the river, a common theme in Seurat's work. The artist's use of light and shadow is particularly noteworthy in this piece. He skillfully uses these elements to create depth and dimension, making the figures appear three-dimensional. The color palette is also significant. Seurat uses a range of warm and cool tones to create a sense of harmony and balance in the painting. The artist's use of pointillism, a technique in which small, distinct dots of color are applied in patterns to form an image, is also evident in this study. This technique allows Seurat to create a vibrant, luminous effect in the painting. The composition of the painting is also noteworthy. Seurat carefully arranges the figures in the painting to create a sense of balance and symmetry. The artist's attention to detail and his innovative use of color and technique make Bathers (Study for "Bathers at Asnières") a significant piece in the history of art. This artwork not only provides insight into Seurat's artistic process, but it also serves as a testament to his mastery of color, light, and composition.