Chestnut trees in Osny

Chestnut trees in Osny by Camille Pissarro is a printable landscape painting created in 1883.

Tags: landscape, printable, painting, wall art, camille pissarro, vertical, vintage, 00463

Print sizes

Digital download includes 6 print-ready, high-resolution 300 DPI JPEG files, that support the following print formats.

ISO (International paper size) for printing:

  • A6, A5, A4, A3, A2, A1

2:3 aspect ratio, for printing:

  • Inches: 6x4, 12x8, 15x10, 24x16, 30x20, 36x24
  • Centimeters: 6x4cm, 12x8, 15x10, 24x16, 30x20, 36x24, 45x30, 54x36, 60x40, 66x44, 72x48, 90x60

4:3 aspect ratio, for printing:

  • Inches:
    8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters:
    8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60

4:3 aspect ratio, for printing:

  • Inches: 8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters: 8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60

5:4 aspect ratio, for printing:

  • Inches: 5x4, 10x8, 20x16, 30x24
  • Centimeters: 15x12, 25x20, 30x24, 35x28, 50x40, 70x56

Square, for printing:

  • Inches: up to 24x24
  • Centimeters: up to 60x60
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Chestnut trees in Osny by Camille Pissarro

"Chestnut Trees in Osny" is an oil painting created by Camille Pissarro in 1873. It is a landscape painting that measures 81.3 cm in height and 65.1 cm in width. The painting is part of the Impressionist movement, a style of art that was popular in the late 19th and early 20th centuries. Pissarro was a key figure in this movement. The painting depicts a rural scene in Osny, a small town in France where Pissarro lived for a time. The main focus of the painting is a group of chestnut trees. The trees are tall and full, with thick, leafy branches that reach up into the sky. The leaves are painted in various shades of green, suggesting the changing colors of the seasons. The trees are set against a clear, blue sky, which takes up a large portion of the painting. The sky is painted in broad, loose brushstrokes, typical of the Impressionist style. Below the trees, there is a field of grass. The grass is painted in a mix of green and yellow tones, suggesting the warmth of the sun. There are also small patches of brown, indicating areas of bare earth. In the distance, there are more trees and a small house. The house is painted in simple, muted tones, blending in with the natural landscape. The painting is characterized by its use of light and color. Pissarro has used bright, vibrant colors to capture the natural beauty of the scene. The use of light is also important, with the sunlight filtering through the trees and casting shadows on the ground. The painting is a good example of Pissarro's style, with its focus on the natural world and its use of color and light.

Camille Pissarro used a technique known as Impressionism in creating the artwork "Chestnut trees in Osny". This technique is characterized by small, thin, yet visible brush strokes. The focus is on accurately depicting the changing qualities of light and color in a scene. Pissarro was a master of this technique. He used it to capture the beauty of the natural world in a way that was fresh and new. He would often paint the same scene at different times of day to show how the light changed. In "Chestnut trees in Osny", Pissarro used the Impressionist technique to capture the play of light and shadow on the chestnut trees. He used small brush strokes to create a sense of movement in the leaves. The colors he used were not just browns and greens. He used a variety of colors to show the different shades of light on the trees. Pissarro also used the Impressionist technique of painting outdoors. This allowed him to capture the scene in a more direct and immediate way. He could see the light and colors of the scene in real life, not just from memory or imagination. This made his paintings more realistic and vibrant. Pissarro's use of the Impressionist technique in "Chestnut trees in Osny" and his other works helped to define the Impressionist movement. His paintings are a testament to the power of this technique to capture the beauty of the natural world.

Camille Pissarro, a Danish-French Impressionist and Neo-Impressionist painter, created the artwork "Chestnut Trees in Osny" in 1873. This painting is significant because it represents a shift in Pissarro's style from traditional landscape painting to the innovative techniques of Impressionism. Impressionism was a radical art movement that began in the late 19th century in France. It was characterized by the artists' attempt to capture light, color, and atmosphere in their work, rather than focusing on detailed, realistic representations. Pissarro was one of the key figures in this movement, and his work in Osny, a small town in the French countryside, is a prime example of his Impressionist style. In "Chestnut Trees in Osny," Pissarro uses loose brushstrokes and vibrant colors to capture the changing light and mood of the landscape. The painting also reflects the artist's interest in rural life and his commitment to painting en plein air, or outdoors, which was a hallmark of the Impressionist movement. This was a time of great change in France, with the country recovering from the Franco-Prussian War and the Paris Commune, a radical socialist and revolutionary government that briefly ruled Paris in 1871. These events had a profound impact on Pissarro and his contemporaries, influencing their desire to break away from traditional artistic conventions and explore new ways of seeing and representing the world. "Chestnut Trees in Osny" is a testament to this transformative period in art history, showcasing Pissarro's innovative approach to painting and his contribution to the Impressionist movement.

Chestnut Trees in Osny is a significant artwork by Camille Pissarro, a key figure in the Impressionist movement. This painting, created in 1873, showcases Pissarro's mastery of the Impressionist style. The artwork is a vivid depiction of a rural landscape, specifically a grove of chestnut trees in the French town of Osny. Pissarro's use of bright, natural colors and loose brushwork is evident in this piece. He captures the essence of the scene, not through detailed realism, but through the impression of light and color. The painting is a testament to Pissarro's ability to convey the beauty and tranquility of nature. The chestnut trees, with their lush foliage, dominate the canvas, while the sky and the distant fields provide a serene backdrop. The painting also reflects Pissarro's interest in rural life and his love for the French countryside. Despite its apparent simplicity, Chestnut Trees in Osny is a complex work of art. Pissarro's innovative use of color and light, his ability to capture the fleeting effects of nature, and his focus on rural scenes make this painting a significant contribution to the Impressionist movement. The artwork remains a testament to Pissarro's talent and his influence on the development of modern art.