Courtyard, Tétouan, Morocco

Courtyard, Tétouan, Morocco by John Singer Sargent is a printable architecture drawing created circa 1879–1880.

Tags: architecture, printable, drawing, wall art, john singer sargent, horizontal, vintage, 01190

Print sizes

Digital download includes 6 print-ready, high-resolution 300 DPI JPEG files, that support the following print formats.

ISO (International paper size) for printing:

  • A6, A5, A4, A3, A2, A1

2:3 aspect ratio, for printing:

  • Inches: 6x4, 12x8, 15x10, 24x16, 30x20, 36x24
  • Centimeters: 6x4cm, 12x8, 15x10, 24x16, 30x20, 36x24, 45x30, 54x36, 60x40, 66x44, 72x48, 90x60

4:3 aspect ratio, for printing:

  • Inches:
    8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters:
    8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60

4:3 aspect ratio, for printing:

  • Inches: 8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters: 8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60

5:4 aspect ratio, for printing:

  • Inches: 5x4, 10x8, 20x16, 30x24
  • Centimeters: 15x12, 25x20, 30x24, 35x28, 50x40, 70x56

Square, for printing:

  • Inches: up to 24x24
  • Centimeters: up to 60x60
Instant download
Your files will be downloadable immediately after we confirm your payment. 

Instant download products cannot be returned, exchanged, and are not refundable. If you encounter any issues with your order, please reach out to us.
Return policy

All sales are final. Due to the digital nature of our products, we cannot accept returns or exchanges. Once a digital product has been purchased, it cannot be returned or exchanged. Read more

Courtyard, Tétouan, Morocco by John Singer Sargent

Courtyard, Tétouan, Morocco' is an oil painting by American artist John Singer Sargent. It was painted in 1879 during Sargent's trip to North Africa. The painting measures 18.5 by 26.5 inches. It is a landscape painting that depicts a scene from a courtyard in Tétouan, a city in Morocco. The painting is dominated by earthy tones of brown, beige, and white, with splashes of green and blue. The courtyard is enclosed by buildings with traditional Moroccan architecture. The buildings have flat roofs and are adorned with intricate geometric patterns. The walls of the buildings are painted white, reflecting the bright sunlight. The courtyard is filled with potted plants and trees, adding a touch of green to the scene. The ground is covered with cobblestones, adding texture to the painting. In the center of the courtyard, there is a small fountain. The water in the fountain is painted in shades of blue, reflecting the clear sky above. There are a few people in the painting, dressed in traditional Moroccan clothing. They are engaged in various activities, adding a sense of life and movement to the scene. The painting is characterized by Sargent's loose brushwork and attention to detail. The play of light and shadow is a prominent feature of the painting, adding depth and dimension to the scene. The painting is currently housed in the Museum of Fine Arts in Boston.

John Singer Sargent used a technique called watercolor in creating the artwork "Courtyard, Tétouan, Morocco". This technique involves using water-based paints on paper. The artist would wet the paper first, then apply the paint. This allows the colors to blend and spread, creating a soft, fluid effect. Sargent was known for his mastery of this technique. He would often use it to capture the play of light and shadow in his works. In "Courtyard, Tétouan, Morocco", for example, he used watercolor to depict the bright sunlight and deep shadows of the Moroccan courtyard. He also used it to capture the intricate details of the architecture and the vibrant colors of the surroundings. Sargent's use of watercolor allowed him to create a sense of depth and realism in his works. He would often layer the paint, using lighter colors first and then adding darker ones on top. This gave his paintings a rich, complex look. Sargent also used a technique called wet-on-wet in his watercolor paintings. This involves applying wet paint onto a wet surface. This allows the colors to blend and spread even more, creating a smooth, seamless effect. Sargent used this technique to create the soft, dreamy look of the sky and the distant buildings in "Courtyard, Tétouan, Morocco". He also used it to create the blurred, watery reflections in the courtyard's pool. Sargent's use of watercolor and his mastery of techniques like wet-on-wet made his works stand out. They gave his paintings a unique, distinctive look that is still admired and studied by artists today.

John Singer Sargent, an American artist, painted "Courtyard, Tétouan, Morocco" in 1879 during his travels in North Africa. This painting is significant because it showcases Sargent's ability to capture the essence of a place and its people. The painting depicts a courtyard in Tétouan, a city in northern Morocco. The city was known for its beautiful architecture and vibrant culture, both of which are evident in Sargent's painting. The painting is filled with intricate details, from the patterned tiles on the ground to the ornate archways and doors. The people in the painting are dressed in traditional Moroccan clothing, further adding to the authenticity of the scene. Sargent's use of light and shadow is also noteworthy, as it adds depth and dimension to the painting. The painting was created during a time when there was a growing interest in Orientalism, a cultural movement that was fascinated with the art, culture, and history of the East. This was a time when many Western artists were traveling to places like Morocco to capture the exotic and unfamiliar scenes. Sargent's painting is a perfect example of this trend. It not only showcases his technical skill as an artist but also his ability to immerse himself in a foreign culture and depict it with accuracy and respect. The painting was created shortly after the Franco-Prussian War, a conflict that had a significant impact on Europe. This war led to the unification of Germany and the end of the French Second Empire. It was a time of great change and uncertainty, and many artists, including Sargent, sought refuge in their art. "Courtyard, Tétouan, Morocco" is a testament to Sargent's ability to find beauty and inspiration in the midst of chaos and change. It is a painting that not only captures a moment in time but also reflects the broader cultural and historical context in which it was created.

The artwork "Courtyard, Tétouan, Morocco" by John Singer Sargent is a remarkable representation of the artist's ability to capture the essence of a place and its culture. Sargent's painting is a vivid depiction of a Moroccan courtyard, showcasing his mastery in the use of light, color, and texture. The painting is characterized by its rich, warm colors that reflect the vibrant culture and climate of Morocco. The artist's use of light and shadow adds depth and dimension to the painting, creating a sense of realism that draws the viewer into the scene. The texture of the painting is also noteworthy, as Sargent skillfully uses brushstrokes to convey the roughness of the stone walls and the smoothness of the tiled floor. The painting also captures the architectural details of the courtyard, from the intricate patterns of the tiles to the ornate archways, reflecting the artist's attention to detail and his appreciation for Moroccan architecture. The figures in the painting, although not the main focus, add a human element to the scene, providing a glimpse into the daily life in Tétouan. The painting is a testament to Sargent's talent and his ability to transport the viewer to a different time and place through his art. It is a valuable piece of art history that offers insight into the artist's travels and his interpretation of different cultures. The "Courtyard, Tétouan, Morocco" by John Singer Sargent is not just a painting, but a window into a world that is both exotic and familiar, a world that is brought to life through the artist's skillful use of color, light, and texture.