$2.40

Fontainebleau: Oak Trees at Bas-Bréau

Fontainebleau: Oak Trees at Bas-Bréau by Camille Pissarro is a printable landscape painting created in 1832-1834.

Tags: landscape, printable, painting, wall art, camille pissarro, horizontal, vintage, 00454

Print sizes

Digital download includes 6 print-ready, high-resolution 300 DPI JPEG files, that support the following print formats.

ISO (International paper size) for printing:

  • A6, A5, A4, A3, A2, A1


2:3 aspect ratio, for printing:

  • Inches: 6x4, 12x8, 15x10, 24x16, 30x20, 36x24
  • Centimeters: 6x4cm, 12x8, 15x10, 24x16, 30x20, 36x24, 45x30, 54x36, 60x40, 66x44, 72x48, 90x60


4:3 aspect ratio, for printing:

  • Inches:
    8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters:
    8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60


4:3 aspect ratio, for printing:

  • Inches: 8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters: 8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60


5:4 aspect ratio, for printing:

  • Inches: 5x4, 10x8, 20x16, 30x24
  • Centimeters: 15x12, 25x20, 30x24, 35x28, 50x40, 70x56


Square, for printing:

  • Inches: up to 24x24
  • Centimeters: up to 60x60
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Fontainebleau: Oak Trees at Bas-Bréau by Camille Pissarro

"Fontainebleau: Oak Trees at Bas-Bréau" is an oil painting by Camille Pissarro, a key figure in the Impressionist movement. Created in 1864, the artwork measures 46.4 cm by 55.9 cm. The painting depicts a scene from the Forest of Fontainebleau, a popular location for artists in the 19th century. The focus of the painting is a group of oak trees at Bas-Bréau, a specific area within the forest. The trees are rendered in a realistic manner, with detailed brushwork used to depict the texture of the bark and the foliage. The trees are shown in various stages of life, with some appearing old and gnarled, while others are young and vibrant. The ground is covered in fallen leaves and twigs, adding to the naturalistic feel of the scene. The color palette is dominated by earth tones, with shades of brown, green, and gray used to convey the quiet beauty of the forest. The sky is a pale blue, suggesting a clear, calm day. The painting is devoid of human figures, emphasizing the solitude and tranquility of the forest. The composition is balanced, with the trees occupying the center of the canvas and the sky and ground providing a sense of depth. The brushwork is loose and expressive, characteristic of the Impressionist style. The painting is signed and dated in the lower left corner. "Fontainebleau: Oak Trees at Bas-Bréau" is a fine example of Pissarro's early work, showcasing his ability to capture the essence of a landscape through careful observation and skillful brushwork.

Camille Pissarro used a technique called Impressionism in creating the artwork "Fontainebleau: Oak Trees at Bas-Bréau". Impressionism is a style of painting that tries to capture the feeling or experience of a scene, rather than focusing on the fine details. Pissarro was one of the key figures in the Impressionist movement, and his work often showcases this technique. In "Fontainebleau: Oak Trees at Bas-Bréau", Pissarro uses loose brush strokes to create a sense of movement and life in the scene. The colors are bright and vibrant, which is another characteristic of Impressionism. Instead of using black for shadows, Pissarro uses dark tones of other colors, which adds to the overall vibrancy of the piece. He also uses a technique called "broken color", where he applies different colors side by side without blending them. This creates a shimmering effect, as the colors seem to blend when viewed from a distance. Pissarro's use of these techniques in "Fontainebleau: Oak Trees at Bas-Bréau" results in a painting that feels alive and dynamic, capturing the beauty and energy of the natural landscape. This is a common theme in Pissarro's work, as he often painted scenes of rural life and nature. His use of Impressionist techniques allowed him to capture these scenes in a way that feels immediate and real, as if the viewer is standing right there in the scene.

Camille Pissarro, a Danish-French Impressionist and Neo-Impressionist painter, created the artwork "Fontainebleau: Oak Trees at Bas-Bréau" in 1864. This painting is significant because it represents a shift in Pissarro's style from traditional landscape painting to the innovative techniques of Impressionism. The painting depicts a scene from the Forest of Fontainebleau, a popular location for artists in the 19th century, located near Paris, France. The forest was known for its diverse landscapes, including large oak trees, which are prominently featured in Pissarro's painting. The painting is characterized by loose brushwork and a focus on the effects of light and color, which are key elements of Impressionism. Pissarro's use of these techniques in "Fontainebleau: Oak Trees at Bas-Bréau" demonstrates his transition towards Impressionism, a movement that sought to capture the fleeting effects of light and color in the natural world. This painting was created during a period of significant change in the art world. The traditional art institutions in France, such as the Académie des Beaux-Arts, were being challenged by a new generation of artists, including Pissarro, who were experimenting with new techniques and subject matter. These artists were often rejected by the traditional art institutions, leading them to establish their own exhibitions, known as the Salon des Refusés. Pissarro was a key figure in this movement, and his work, including "Fontainebleau: Oak Trees at Bas-Bréau", played a crucial role in the development of Impressionism. This painting also reflects the broader social and political changes happening in France at the time. The 1860s were a period of rapid industrialization and urbanization in France, which had a profound impact on the country's landscape. Pissarro's painting of the Forest of Fontainebleau can be seen as a response to these changes, capturing a piece of the French countryside that was being transformed by industrialization. The painting is a testament to Pissarro's innovative approach to art and his commitment to capturing the changing world around him.

Fontainebleau: Oak Trees at Bas-Bréau by Camille Pissarro is a significant piece of art history. It is a landscape painting that showcases Pissarro's skill and talent in capturing the beauty of nature. The painting is set in the forest of Fontainebleau, a popular location for many artists during the 19th century. Pissarro's depiction of the forest is unique and stands out among other works of the same period. He uses a variety of colors and brush strokes to create a realistic and detailed image of the forest. The trees are the main focus of the painting, with their large and imposing presence dominating the canvas. Pissarro's use of light and shadow adds depth and dimension to the trees, making them appear more lifelike. The ground is covered in leaves and grass, adding to the overall natural feel of the painting. The sky is a mix of blues and whites, suggesting a clear and sunny day. Pissarro's attention to detail and his ability to capture the essence of the forest make this painting a masterpiece. It is a testament to his love for nature and his dedication to his craft. The painting is not just a representation of a forest, but a celebration of nature's beauty and majesty. It is a reminder of the importance of preserving and respecting our natural environment. Fontainebleau: Oak Trees at Bas-Bréau is a significant contribution to art history and a testament to Pissarro's talent and skill as an artist.