$2.40

In Holland–The Buoy

In Holland–The Buoy by Paul Signac is a printable coastal painting created in 1896.

Tags: coastal, printable, painting, wall art, paul signac, horizontal, vintage, 00158

Print sizes

Digital download includes 6 print-ready, high-resolution 300 DPI JPEG files, that support the following print formats.

ISO (International paper size) for printing:

  • A6, A5, A4, A3, A2, A1


2:3 aspect ratio, for printing:

  • Inches: 6x4, 12x8, 15x10, 24x16, 30x20, 36x24
  • Centimeters: 6x4cm, 12x8, 15x10, 24x16, 30x20, 36x24, 45x30, 54x36, 60x40, 66x44, 72x48, 90x60


4:3 aspect ratio, for printing:

  • Inches:
    8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters:
    8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60


4:3 aspect ratio, for printing:

  • Inches: 8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters: 8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60


5:4 aspect ratio, for printing:

  • Inches: 5x4, 10x8, 20x16, 30x24
  • Centimeters: 15x12, 25x20, 30x24, 35x28, 50x40, 70x56


Square, for printing:

  • Inches: up to 24x24
  • Centimeters: up to 60x60
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In Holland–The Buoy by Paul Signac

"In Holland–The Buoy" is a painting by French artist Paul Signac, created in 1894. It is an oil on canvas painting, measuring 65.1 x 81.3 cm. The painting is a landscape scene, depicting a buoy floating in a body of water, with a town visible in the background. The buoy is painted in bright red and white stripes, making it the focal point of the painting. The water is depicted in various shades of blue and green, with small, precise brushstrokes that create a sense of movement and texture. The town in the background is painted in muted tones of brown and gray, with the buildings and trees carefully detailed. The sky above the town is filled with fluffy white clouds, painted in a way that suggests a windy day. The painting is done in the pointillist style, a technique that Signac helped to develop. This style involves using small, distinct dots of color that are applied in patterns to form an image. When viewed from a distance, the eye blends the individual dots together to create a full image. This technique is evident in "In Holland–The Buoy", with the entire painting composed of small dots of color. The painting is a good example of Signac's work, showcasing his skill with the pointillist technique and his ability to create detailed, realistic scenes. The painting is currently held in the collection of the Metropolitan Museum of Art in New York.

Paul Signac, the artist behind "In Holland–The Buoy," is known for his use of a technique called pointillism. Pointillism is a painting technique where small, distinct dots of color are applied in patterns to form an image. Instead of mixing colors together on a palette, the artist places tiny dots of pure color next to each other on the canvas. When viewed from a distance, these dots blend together in the viewer's eye to create the desired color and shading effects. This technique is time-consuming and requires a lot of patience and precision from the artist. In "In Holland–The Buoy," Signac uses pointillism to create a vibrant and detailed image of a buoy in a Dutch landscape. The sky, water, and land are all made up of countless tiny dots of different colors. By placing these dots next to each other, Signac is able to create a wide range of colors and tones. For example, he can create the effect of sunlight reflecting off the water by placing dots of light blue next to dots of white. Similarly, he can create the effect of shadows on the land by placing dots of dark green next to dots of light green. This technique allows Signac to create a sense of depth and texture in his painting. It also gives his work a unique, almost shimmering quality. Signac's use of pointillism in "In Holland–The Buoy" and his other works has made him one of the most important figures in the Neo-Impressionist movement.

Paul Signac, a French painter, created "In Holland–The Buoy" during a significant period in art history known as the Post-Impressionist era. This era, which took place from the late 19th century to the early 20th century, was characterized by artists' rejection of the limitations of Impressionism. They sought to create new ways of expressing their perceptions of the world around them. Signac was a key figure in this movement, known for his development of a technique called pointillism. This technique involved applying small dots of pure color to the canvas, which would then blend in the viewer's eye to create the desired image. "In Holland–The Buoy" is a prime example of this technique, showcasing Signac's ability to create a vibrant, dynamic image through the careful placement of individual color dots. The painting depicts a buoy floating in a Dutch canal, a common sight in Holland, where waterways are a major part of the landscape and daily life. The time when Signac created this painting was also a period of significant change in Holland. The country was undergoing rapid industrialization, with new technologies transforming the landscape and the way people lived. This painting, with its focus on a simple, traditional object like a buoy, can be seen as a reflection of the tension between the old and the new that characterized this period. At the same time, the painting also reflects the broader changes happening in Europe at the time. The late 19th and early 20th centuries were a time of great upheaval, with old empires falling and new ones rising, and the beginnings of the modern world as we know it today. Signac's painting, with its innovative technique and its focus on a simple, everyday object, can be seen as a reflection of these broader historical changes. It represents a break from the past and a move towards a new, modern way of seeing and representing the world.

"In Holland–The Buoy" by Paul Signac is a remarkable piece of art that showcases the artist's mastery of the Neo-Impressionist style. The painting is a vivid representation of a buoy floating in the waters of Holland, capturing the essence of the country's maritime culture. Signac's use of pointillism, a technique where small, distinct dots of color are applied in patterns to form an image, is evident in this artwork. This technique creates a shimmering effect, giving the painting a sense of movement and life. The artist's choice of colors is also noteworthy. He uses a vibrant palette of blues, greens, and whites to depict the water, while the buoy is painted in contrasting red and black. This use of color not only adds depth to the painting but also draws the viewer's attention to the buoy, making it the focal point of the artwork. The painting also reflects Signac's attention to detail. Every dot of color is meticulously placed, demonstrating the artist's precision and patience. The composition of the painting is balanced, with the buoy placed slightly off-center, creating a sense of harmony and stability. The painting's perspective, with the buoy in the foreground and the distant horizon in the background, gives the viewer a sense of depth and space. Overall, "In Holland–The Buoy" is a testament to Signac's skill and creativity. It is a beautiful representation of the Neo-Impressionist style, showcasing the artist's ability to use color and technique to create a captivating and dynamic piece of art.