Jalais Hill, Pontoise

Jalais Hill, Pontoise by Camille Pissarro is a printable landscape painting created in 1867.

Tags: landscape, printable, painting, wall art, camille pissarro, horizontal, vintage, 00379

Print sizes

Digital download includes 6 print-ready, high-resolution 300 DPI JPEG files, that support the following print formats.

ISO (International paper size) for printing:

  • A6, A5, A4, A3, A2, A1

2:3 aspect ratio, for printing:

  • Inches: 6x4, 12x8, 15x10, 24x16, 30x20, 36x24
  • Centimeters: 6x4cm, 12x8, 15x10, 24x16, 30x20, 36x24, 45x30, 54x36, 60x40, 66x44, 72x48, 90x60

4:3 aspect ratio, for printing:

  • Inches:
    8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters:
    8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60

4:3 aspect ratio, for printing:

  • Inches: 8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters: 8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60

5:4 aspect ratio, for printing:

  • Inches: 5x4, 10x8, 20x16, 30x24
  • Centimeters: 15x12, 25x20, 30x24, 35x28, 50x40, 70x56

Square, for printing:

  • Inches: up to 24x24
  • Centimeters: up to 60x60
Instant download
Your files will be downloadable immediately after we confirm your payment. 

Instant download products cannot be returned, exchanged, and are not refundable. If you encounter any issues with your order, please reach out to us.
Return policy

All sales are final. Due to the digital nature of our products, we cannot accept returns or exchanges. Once a digital product has been purchased, it cannot be returned or exchanged. Read more

Jalais Hill, Pontoise by Camille Pissarro

Jalais Hill, Pontoise' is an oil painting created by Camille Pissarro in 1867. It is a landscape painting that measures 115.2 cm by 88.3 cm. The painting depicts a rural scene in Pontoise, a small town in France. The scene is set on a hill, known as Jalais Hill, overlooking the town. The painting is dominated by green and brown hues, reflecting the natural environment of the countryside. The sky is a mix of white and blue, suggesting a clear day with some clouds. The foreground of the painting features a large tree on the left side. The tree is detailed with various shades of green and brown, showing the texture of the leaves and the bark. The middle ground of the painting shows a path that leads down the hill. There are several figures on the path, including a woman with a child and a man with a horse. These figures are painted in a realistic style, with attention to their clothing and posture. The background of the painting shows the town of Pontoise. The buildings are painted in a variety of colors, including white, brown, and red. The town is surrounded by fields and trees, which are painted in a loose, impressionistic style. The painting is signed by the artist in the lower left corner. The signature is in black paint and reads "C. Pissarro. 67". The painting is currently housed in the Metropolitan Museum of Art in New York City.

Camille Pissarro used a technique known as Impressionism in creating the artwork "Jalais Hill, Pontoise". This technique is characterized by small, thin, yet visible brush strokes. The focus is on accurately depicting the changing qualities of light and color in a scene. Pissarro was known for his ability to capture the subtle shifts in light and color in his landscapes. He would often paint the same scene at different times of the day to show how the light changed. In "Jalais Hill, Pontoise", Pissarro used this technique to capture the lush greenery of the hill and the vibrant blue of the sky. He used short, quick brush strokes to create a sense of movement and life in the scene. The colors are layered and mixed directly on the canvas, creating a rich, textured effect. This is a common characteristic of Impressionist paintings. Pissarro also used a technique called "en plein air" painting. This means he painted outdoors, directly from the landscape. This allowed him to capture the natural light and colors of the scene in a way that couldn't be achieved in a studio. Pissarro's use of the Impressionist technique in "Jalais Hill, Pontoise" and his other works had a significant impact on the art world. It helped to shift the focus of art from a detailed, realistic representation of the world to a more subjective, personal interpretation of the world around us.

Camille Pissarro, a Danish-French Impressionist and Neo-Impressionist painter, created the artwork "Jalais Hill, Pontoise" in 1867. This painting is significant because it is one of the earliest examples of the Impressionist style, a movement that sought to capture the fleeting effects of light and color in the natural world. Pissarro was one of the key figures in this movement, and his work at this time was instrumental in shaping its development. The painting depicts a rural landscape in Pontoise, a small town northwest of Paris where Pissarro lived for a time. The scene is characterized by its loose brushwork and bright, vibrant colors, which give the impression of a sunny, breezy day. The painting also features several figures, including a woman and a child, who are depicted in a casual, unposed manner that was typical of Impressionist art. This focus on everyday life and ordinary people was a radical departure from the traditional subjects of academic art, which often featured historical or mythological themes. The painting was created during a period of significant social and political change in France. The Second Empire, under the rule of Napoleon III, was coming to an end, and the country was on the brink of the Franco-Prussian War. This upheaval is reflected in the painting's depiction of a peaceful, rural scene that seems untouched by the turmoil of the outside world. The painting also coincides with the rise of industrialization in France, which was transforming the landscape and the way people lived. Pissarro's painting, with its focus on the natural world and rural life, can be seen as a response to these changes. Despite the challenges of the time, Pissarro continued to paint and develop his unique style, contributing to the evolution of modern art. His work, including "Jalais Hill, Pontoise," remains an important part of art history, offering a glimpse into the world as it was seen through the eyes of one of the pioneers of Impressionism.

Jalais Hill, Pontoise is a significant artwork by Camille Pissarro, a key figure in the Impressionist movement. The painting is a vivid representation of the French countryside, showcasing Pissarro's mastery of landscape painting. The artist's use of color and light is particularly noteworthy, as he skillfully captures the changing moods of the natural world. The painting is also a testament to Pissarro's innovative approach to composition. He often chose unconventional viewpoints, as seen in Jalais Hill, Pontoise, where the viewer's eye is drawn upwards towards the hill, creating a sense of depth and perspective. This technique was groundbreaking at the time and helped to set Pissarro apart from his contemporaries. The painting also reflects Pissarro's commitment to painting en plein air, or outdoors. This was a key aspect of the Impressionist movement, as artists sought to capture the fleeting effects of light and weather on the landscape. Pissarro's depiction of Jalais Hill, Pontoise is a prime example of this approach, as he captures the scene in a way that feels immediate and spontaneous. The painting is also significant for its depiction of rural life. Pissarro often chose to paint scenes of the countryside, focusing on the everyday activities of rural workers. In Jalais Hill, Pontoise, the figures are small and somewhat indistinct, suggesting that they are part of the landscape rather than the main focus of the painting. This reflects Pissarro's belief in the dignity and value of rural labor, a theme that recurs throughout his work. Overall, Jalais Hill, Pontoise is a masterful example of Pissarro's contribution to the Impressionist movement, showcasing his innovative approach to composition, his skillful use of color and light, and his deep respect for the natural world and rural life.