Marseille by Paul Signac is a printable cityscape painting created in 1911.

Tags: cityscape, printable, painting, wall art, paul signac, horizontal, vintage, 01281

Print sizes

Digital download includes 6 print-ready, high-resolution 300 DPI JPEG files, that support the following print formats.

ISO (International paper size) for printing:

  • A6, A5, A4, A3, A2, A1

2:3 aspect ratio, for printing:

  • Inches: 6x4, 12x8, 15x10, 24x16, 30x20, 36x24
  • Centimeters: 6x4cm, 12x8, 15x10, 24x16, 30x20, 36x24, 45x30, 54x36, 60x40, 66x44, 72x48, 90x60

4:3 aspect ratio, for printing:

  • Inches:
    8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters:
    8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60

4:3 aspect ratio, for printing:

  • Inches: 8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters: 8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60

5:4 aspect ratio, for printing:

  • Inches: 5x4, 10x8, 20x16, 30x24
  • Centimeters: 15x12, 25x20, 30x24, 35x28, 50x40, 70x56

Square, for printing:

  • Inches: up to 24x24
  • Centimeters: up to 60x60
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Marseille by Paul Signac

"Marseille" is a painting by French artist Paul Signac, created in 1905. It is an oil on canvas painting, measuring 25.6 x 32.1 inches. The painting is a part of Signac's series of seascapes, which he began in the late 19th century. The painting depicts the bustling port of Marseille, a city in southern France. The scene is filled with boats of various sizes, from small sailboats to large steamships. The city's buildings are visible in the background, with their distinctive Mediterranean architecture. The sky above is filled with fluffy white clouds, suggesting a sunny day. The painting is done in the pointillist style, a technique that Signac helped to develop. This style involves using small, distinct dots of color to form an image. When viewed from a distance, these dots blend together to create a vibrant, shimmering effect. In "Marseille", Signac uses this technique to capture the sparkling light of the Mediterranean sun on the water and the colorful sails of the boats. The painting is dominated by blues and whites, with touches of red and yellow adding warmth and contrast. The composition is balanced, with the boats in the foreground drawing the viewer's eye towards the city in the background. The painting is currently housed in the Metropolitan Museum of Art in New York City.

Paul Signac, a French Neo-Impressionist artist, used a technique called pointillism to create his artwork "Marseille." Pointillism is a painting technique where small, distinct dots of color are applied in patterns to form an image. Instead of mixing colors together on a palette, the artist places tiny dots of pure color next to each other on the canvas. When viewed from a distance, these dots blend together in the viewer's eye to create the desired color and shading. This technique is based on the theory of color and how colors are perceived by the human eye. Signac was one of the main developers of pointillism, along with his friend and fellow artist Georges Seurat. In "Marseille," Signac used pointillism to capture the vibrant colors and light of the Mediterranean city. He applied tiny dots of color to the canvas in a way that creates a shimmering effect, mimicking the way sunlight reflects off the water. This technique also allowed Signac to create a sense of depth and texture in the painting. For example, he used darker dots of color to create shadows and lighter dots to create highlights. This gives the painting a three-dimensional quality, making the buildings and boats in the harbor appear to pop off the canvas. Signac often used pointillism in his paintings to capture the effects of light and color in different environments. He believed that this technique allowed him to portray the natural world in a more accurate and vibrant way. In his other works, you can see how he used pointillism to create a variety of effects, from the soft glow of a sunset to the bright colors of a bustling city street. Despite the time-consuming nature of pointillism, Signac was dedicated to this technique and used it throughout his career. His use of pointillism in "Marseille" and his other works had a significant impact on the development of modern art.

Paul Signac's painting "Marseille" is a significant piece of art from the late 19th and early 20th centuries, a time when the art world was undergoing major changes. Signac was a French artist who played a key role in the development of the Neo-Impressionist style of painting, which was characterized by the use of small, distinct dots or patches of color to create an image. This technique, known as pointillism, was a radical departure from the traditional methods of painting, and it had a profound impact on the direction of modern art. "Marseille" is a prime example of this style, with its vibrant colors and intricate patterns of dots. The painting depicts the bustling port city of Marseille, a major hub of commerce and culture in southern France. The city was a popular subject for many artists of the time, who were drawn to its vibrant street life and picturesque waterfront. Signac's depiction of Marseille is notable for its emphasis on the city's bustling activity and vibrant colors, which are rendered in a dazzling array of dots and patches of color. The painting is also significant for its depiction of the modern, industrial city, a theme that was becoming increasingly important in art at the time. The late 19th and early 20th centuries were a time of rapid industrialization and urbanization in Europe, and many artists were grappling with how to represent these changes in their work. Signac's "Marseille" is a vivid portrayal of this modern, industrial city, with its busy harbor filled with ships and its skyline dominated by factories and warehouses. The painting is a testament to the transformative power of industry and commerce, and it reflects the optimism and dynamism of the era. At the same time, the painting also reflects the tensions and contradictions of the time. While the city is depicted as a bustling, vibrant place, there is also a sense of chaos and disorder, with the crowded harbor and the jumble of buildings suggesting a city that is growing too fast and struggling to contain its own growth. This tension between progress and chaos, between the promise of the modern city and the challenges it posed, is a recurring theme in the art of the time, and it is vividly captured in Signac's "Marseille". The painting is a powerful reminder of the transformative power of art, and its ability to capture the spirit of an era.

Marseille by Paul Signac is a remarkable piece of art that showcases the artist's mastery of the Neo-Impressionist style. The painting, created in 1905, is a vivid depiction of the bustling port city of Marseille in France. Signac's use of the pointillist technique, where small, distinct dots of color are applied in patterns to form an image, is evident in this artwork. The artist's choice of bright, contrasting colors brings the scene to life, capturing the vibrancy of the city and the movement of the water. The painting also reflects Signac's fascination with the effects of light and color, as he skillfully uses these elements to create a sense of depth and perspective. The composition of the painting, with the cityscape in the background and the boats in the foreground, gives the viewer a sense of the scale and activity of the port. The attention to detail in the depiction of the boats and buildings shows Signac's meticulous approach to his work. The painting is a testament to Signac's ability to capture the essence of a place through his unique artistic style. It is a significant contribution to the Neo-Impressionist movement, demonstrating the potential of the pointillist technique to create vibrant, dynamic scenes. Marseille by Paul Signac is not just a painting, but a window into the world of early 20th century France, offering viewers a glimpse of the past through the eyes of a talented artist.