Paris: Le Place Dauphine

Paris: Le Place Dauphine by Paul Signac is a printable cityscape painting created in 1928.

Tags: cityscape, printable, painting, wall art, paul signac, horizontal, vintage, 01268

Print sizes

Digital download includes 6 print-ready, high-resolution 300 DPI JPEG files, that support the following print formats.

ISO (International paper size) for printing:

  • A6, A5, A4, A3, A2, A1

2:3 aspect ratio, for printing:

  • Inches: 6x4, 12x8, 15x10, 24x16, 30x20, 36x24
  • Centimeters: 6x4cm, 12x8, 15x10, 24x16, 30x20, 36x24, 45x30, 54x36, 60x40, 66x44, 72x48, 90x60

4:3 aspect ratio, for printing:

  • Inches:
    8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters:
    8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60

4:3 aspect ratio, for printing:

  • Inches: 8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters: 8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60

5:4 aspect ratio, for printing:

  • Inches: 5x4, 10x8, 20x16, 30x24
  • Centimeters: 15x12, 25x20, 30x24, 35x28, 50x40, 70x56

Square, for printing:

  • Inches: up to 24x24
  • Centimeters: up to 60x60
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Paris: Le Place Dauphine by Paul Signac

Paris: Le Place Dauphine' is a painting by French artist Paul Signac. It was created in 1893 during the Post-Impressionist period. The painting is a landscape of the Place Dauphine in Paris, France. The Place Dauphine is a public square located on the Île de la Cité, an island in the Seine River. The painting is made using oil on canvas. It measures 73.5 cm in height and 92.5 cm in width. The painting is currently housed in the Musée d'Orsay in Paris. In the painting, Signac uses a technique known as pointillism. Pointillism is a painting technique where small, distinct dots of color are applied in patterns to form an image. The dots of color in 'Paris: Le Place Dauphine' are small and precise. They are applied in a way that allows the viewer's eye to blend the color dots into a fuller range of tones. The painting is filled with bright, vibrant colors. The sky is a mix of blues and whites, while the buildings are painted in shades of red, yellow, and orange. The trees are a bright green. The painting depicts a sunny day in the Place Dauphine. The square is filled with people going about their day. There are people sitting on benches, walking, and talking. There are also horse-drawn carriages in the square. The buildings surrounding the square are tall and grand. They have many windows and ornate architectural details. The trees in the square are tall and leafy, providing shade for the people below. In the background of the painting, the Pont Neuf bridge can be seen. The Pont Neuf is the oldest standing bridge across the river Seine in Paris. The bridge is painted in a lighter color than the buildings, making it stand out against the bright blue sky. The Seine River is also visible in the painting. The river is painted in shades of blue and white, reflecting the colors of the sky. 'Paris: Le Place Dauphine' is a representation of Signac's love for the city of Paris. The painting captures the vibrancy and energy of the city. It also showcases Signac's mastery of the pointillism technique. The painting is a testament to Signac's ability to capture the beauty and complexity of a scene using small, distinct dots of color.

Paul Signac, a French Neo-Impressionist artist, used a technique called pointillism to create the artwork "Paris: Le Place Dauphine". Pointillism is a painting technique where small, distinct dots of color are applied in patterns to form an image. Instead of mixing colors together on a palette, Signac would place tiny dots of pure color next to each other on the canvas. When viewed from a distance, these dots blend together in the viewer's eye to create the desired color and shading. This technique is based on the theory of color and how colors mix together. Signac was a master of this technique, and he used it to create vibrant, luminous scenes. In "Paris: Le Place Dauphine", he used pointillism to capture the light and atmosphere of the scene. He would have used tiny dots of different colors to create the different shades and tones in the painting. For example, to create the effect of sunlight, he might have used tiny dots of yellow and white. To create shadows, he might have used dots of blue or purple. This technique requires a lot of patience and precision, as each dot must be carefully placed. Signac's use of pointillism in this artwork and others shows his skill and dedication as an artist. It also shows his understanding of color theory and how colors can be mixed together to create different effects.

Paul Signac, a French Neo-Impressionist painter, created the artwork "Paris: Le Place Dauphine" in 1893. This painting is significant because it showcases Signac's unique style of painting, known as Pointillism. Pointillism is a technique of painting in which small, distinct dots of color are applied in patterns to form an image. Signac was one of the main figures in the development of this technique, which was a reaction against the more traditional styles of painting that were popular at the time. The painting depicts the Place Dauphine, a public square in Paris, France. The square was named after the Dauphin of France, the future King Louis XIII, and was built in 1607. The painting shows the square as it would have looked in the late 19th century, with its historic buildings and bustling city life. The painting was created during a period of rapid industrialization and urbanization in France. The Eiffel Tower, a symbol of this modernization, had been completed just a few years earlier in 1889. The painting also coincides with a period of political instability in France, with the country transitioning from the conservative Third Republic to the more radical Paris Commune. Signac's painting, with its bright colors and modern technique, can be seen as a celebration of the new, modern Paris, while also acknowledging the city's rich history. The painting is also significant because it was created during a time when artists were beginning to challenge traditional notions of art and representation. Signac, along with other Neo-Impressionist painters like Georges Seurat, was at the forefront of this movement. Their innovative techniques and ideas would go on to influence many other artists and movements in the 20th century, including the Cubists and the Abstract Expressionists.

Paris: Le Place Dauphine by Paul Signac is a remarkable piece of art that showcases the artist's mastery of the pointillist technique. This painting, created in 1893, is a vivid depiction of the famous square in Paris, known as Place Dauphine. Signac's use of tiny, distinct dots of color to form the image is a hallmark of pointillism, a style he helped pioneer. The painting is a testament to Signac's ability to capture the essence of a scene, with the bustling activity of the square, the architectural details of the buildings, and the vibrant colors of the landscape all coming together to create a lively and dynamic image. The painting also reflects Signac's fascination with the effects of light and color, as he uses a variety of hues to create depth and texture. The use of contrasting colors, such as the bright blues of the sky against the warm tones of the buildings, adds a sense of vibrancy and energy to the scene. The painting's composition, with the square framed by the buildings and the trees, draws the viewer's eye into the scene, creating a sense of immersion. The attention to detail, from the individual figures in the square to the intricate patterns of the cobblestone streets, adds a sense of realism to the painting. Overall, Paris: Le Place Dauphine is a stunning example of Signac's skill and creativity, and a testament to his significant contribution to the development of pointillism.