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The Boulevard Montmartre on a Winter Morning

The Boulevard Montmartre on a Winter Morning by Camille Pissarro is a printable cityscape painting created in 1897.

Tags: cityscape, printable, painting, wall art, camille pissarro, horizontal, vintage, 01232

Print sizes

Digital download includes 6 print-ready, high-resolution 300 DPI JPEG files, that support the following print formats.

ISO (International paper size) for printing:

  • A6, A5, A4, A3, A2, A1


2:3 aspect ratio, for printing:

  • Inches: 6x4, 12x8, 15x10, 24x16, 30x20, 36x24
  • Centimeters: 6x4cm, 12x8, 15x10, 24x16, 30x20, 36x24, 45x30, 54x36, 60x40, 66x44, 72x48, 90x60


4:3 aspect ratio, for printing:

  • Inches:
    8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters:
    8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60


4:3 aspect ratio, for printing:

  • Inches: 8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters: 8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60


5:4 aspect ratio, for printing:

  • Inches: 5x4, 10x8, 20x16, 30x24
  • Centimeters: 15x12, 25x20, 30x24, 35x28, 50x40, 70x56


Square, for printing:

  • Inches: up to 24x24
  • Centimeters: up to 60x60
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The Boulevard Montmartre on a Winter Morning by Camille Pissarro

The Boulevard Montmartre on a Winter Morning' is an oil painting by Camille Pissarro, a Danish-French Impressionist and Neo-Impressionist painter. It was created in 1897. The painting measures 65.1 cm by 81.3 cm. It is part of a series of paintings Pissarro made of the Boulevard Montmartre in Paris. The painting depicts a bustling city scene. It shows a wide boulevard lined with buildings. The buildings are tall and grand, with many windows. The boulevard is filled with people and vehicles. There are horse-drawn carriages, pedestrians, and a few early automobiles. The people are dressed in late 19th-century clothing. The painting is done in the Impressionist style. This means it captures the fleeting effects of light and color. The colors are bright and vibrant. The brushstrokes are loose and visible. The painting has a sense of movement and energy. The sky is a pale, wintry blue. There are bare trees along the boulevard. The ground is covered in snow. The snow is not pure white, but reflects the colors of the city and the sky. The painting is currently housed in the Metropolitan Museum of Art in New York City.

Camille Pissarro used a technique called Impressionism in creating the artwork "The Boulevard Montmartre on a Winter Morning". This technique is all about capturing the fleeting effects of light and color in a scene. It's like taking a quick snapshot of a moment in time. Pissarro would often paint the same scene at different times of the day to show how the light and colors changed. He would use short, thick strokes of paint to capture the essence of the subject, rather than its details. The strokes would often not blend smoothly, giving the painting a somewhat rough look. This was a big departure from the smooth, detailed paintings that were popular at the time. Pissarro also used a technique called "en plein air" painting. This means he would paint outdoors, directly from the scene in front of him. This allowed him to capture the light and colors of the scene in a more direct and immediate way. He would often use bright, pure colors, applying them side by side with as little mixing as possible. This created a vibrant, intense effect in his paintings. Pissarro's use of these techniques in "The Boulevard Montmartre on a Winter Morning" resulted in a painting that feels alive and dynamic, despite its seemingly ordinary subject. The viewer can almost feel the chill in the air and the hustle and bustle of the city street. It's a perfect example of how Impressionism can transform a simple scene into something extraordinary.

Camille Pissarro, a Danish-French Impressionist and Neo-Impressionist painter, created "The Boulevard Montmartre on a Winter Morning" in 1897. This painting is one of a series of works that Pissarro painted from his window at the Grand Hotel de Russie in Paris, where he stayed in February and March of that year. The painting depicts a bustling city scene on the Boulevard Montmartre, one of the four 'grands boulevards' in Paris. The boulevard, filled with horse-drawn carriages, pedestrians, and buildings, is covered in a light dusting of snow, creating a serene yet lively atmosphere. Pissarro's use of quick, loose brushstrokes, a characteristic of the Impressionist style, captures the fleeting nature of the scene. The painting is significant because it represents a shift in Pissarro's style. Around this time, Pissarro was moving away from the rural landscapes that dominated his earlier work and was beginning to focus more on urban scenes. This shift was influenced by Pissarro's interest in the modernization of Paris, which was undergoing significant changes due to the renovations initiated by Napoleon III and Baron Haussmann. These renovations, which included the creation of wide boulevards, parks, and new buildings, transformed Paris into a modern city. Pissarro's painting captures this transformation, providing a snapshot of Paris during this period of change. The painting is also significant because it reflects Pissarro's experimentation with different artistic styles. Although Pissarro was a key figure in the Impressionist movement, he was also open to other styles. In "The Boulevard Montmartre on a Winter Morning," Pissarro combines elements of Impressionism, such as the focus on light and color, with elements of the emerging Pointillist style, such as the use of small, distinct dots of color. This combination of styles demonstrates Pissarro's innovative approach to painting and his willingness to experiment with new techniques. The painting is now housed in the Metropolitan Museum of Art in New York City, where it continues to be admired for its depiction of a historic moment in Paris's development and for its innovative use of artistic techniques.

The Boulevard Montmartre on a Winter Morning by Camille Pissarro is a significant piece of art history. It is a representation of the artist's fascination with the urban life of Paris. The painting captures the bustling activity of the city in the late 19th century. Pissarro's use of color and light in the painting is remarkable. He uses a palette of cool colors to depict the winter morning. The snow-covered streets and rooftops are painted in shades of white and blue, creating a sense of coldness. The buildings and trees are painted in darker colors, providing a contrast to the snow. The artist's use of light is also noteworthy. He uses it to highlight the buildings and the people, creating a sense of depth and perspective. The painting also shows Pissarro's mastery of the Impressionist style. He uses loose brushstrokes to capture the movement and energy of the city. The people and the carriages are painted in a quick, sketchy manner, suggesting their movement. The painting is a testament to Pissarro's ability to capture the essence of a scene. Despite the bustling activity, there is a sense of calmness in the painting. This is achieved through the artist's use of color and light, and his ability to balance the different elements of the scene. The Boulevard Montmartre on a Winter Morning is not just a depiction of a city scene. It is a reflection of the artist's perception of the city and its inhabitants. It is a snapshot of a moment in time, captured with skill and sensitivity. The painting is a testament to Pissarro's talent and his contribution to the Impressionist movement.