The entrance to the Citadel of Cairo

The entrance to the Citadel of Cairo by David Roberts is a printable cityscape painting created in 1796–1864.

Tags: cityscape, printable, painting, wall art, david roberts, horizontal, vintage, 01272

Print sizes

Digital download includes 6 print-ready, high-resolution 300 DPI JPEG files, that support the following print formats.

ISO (International paper size) for printing:

  • A6, A5, A4, A3, A2, A1

2:3 aspect ratio, for printing:

  • Inches: 6x4, 12x8, 15x10, 24x16, 30x20, 36x24
  • Centimeters: 6x4cm, 12x8, 15x10, 24x16, 30x20, 36x24, 45x30, 54x36, 60x40, 66x44, 72x48, 90x60

4:3 aspect ratio, for printing:

  • Inches:
    8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters:
    8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60

4:3 aspect ratio, for printing:

  • Inches: 8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters: 8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60

5:4 aspect ratio, for printing:

  • Inches: 5x4, 10x8, 20x16, 30x24
  • Centimeters: 15x12, 25x20, 30x24, 35x28, 50x40, 70x56

Square, for printing:

  • Inches: up to 24x24
  • Centimeters: up to 60x60
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The entrance to the Citadel of Cairo by David Roberts

"The Entrance to the Citadel of Cairo" is a lithograph print by Scottish artist David Roberts. Created in 1848, it is part of a series of prints that Roberts made after his travels in Egypt and the Near East. The artwork depicts the entrance to the Citadel of Cairo, a historic Islamic fortification in Egypt. The scene is bustling with activity. People are shown going about their daily lives, with some walking, others riding on camels or horses, and a few gathered in groups. The architecture of the Citadel is intricately detailed, with arched doorways, domed roofs, and tall minarets. The buildings are made of stone, with some parts appearing weathered and aged. The sky above is clear, suggesting a sunny day. The Citadel is situated on a hill, and the city of Cairo can be seen in the background, with its buildings and palm trees. The artwork is rich in detail, capturing the vibrancy and complexity of life in Cairo during the mid-19th century. The use of light and shadow adds depth to the scene, creating a sense of three-dimensionality. The figures are depicted in a realistic manner, with their clothing, gestures, and expressions conveying their individual characters. The artwork is a fine example of Orientalist art, a style popular in the 19th century that was inspired by Western artists' fascination with the cultures and landscapes of the East. Roberts' skillful rendering of the scene reflects his keen observation and understanding of the local architecture, people, and customs. His use of lithography, a printmaking technique that allows for the creation of multiple copies, enabled his artworks to reach a wide audience, contributing to the spread of Orientalist imagery and ideas.

David Roberts used a technique called lithography to create "The Entrance to the Citadel of Cairo." Lithography is a method of printing that was invented in the late 18th century. It involves drawing an image onto a stone or metal plate with a greasy substance, such as a crayon or ink. The image is then chemically fixed onto the plate. When the plate is inked, the ink sticks to the greasy areas and is repelled by the non-greasy areas. The plate is then pressed onto paper to create the final image. Roberts was known for his detailed and accurate depictions of architecture and landscapes. He used lithography to capture the intricate details of the buildings and the surrounding environment in "The Entrance to the Citadel of Cairo." He also used this technique to create a sense of depth and perspective in the image. The buildings in the foreground are larger and more detailed, while the buildings in the background are smaller and less detailed. This creates the illusion of distance and makes the image appear three-dimensional. Roberts also used color to enhance the realism of the image. He used a variety of colors to depict the different materials and textures in the scene. The buildings are rendered in warm, earthy tones, while the sky is a soft, pale blue. This contrast in color helps to highlight the architectural details and adds to the overall visual impact of the image. Roberts' use of lithography in "The Entrance to the Citadel of Cairo" is a prime example of how this technique can be used to create detailed, realistic images.

David Roberts was a Scottish painter who was known for his detailed and vivid depictions of landscapes and architecture, and "The Entrance to the Citadel of Cairo" is one of his most famous works. This painting was created in 1848, during a time when Roberts was traveling extensively throughout the Middle East, including Egypt. The Citadel of Cairo, which is the subject of this painting, is a historic Islamic fortification located on a hill near the center of Cairo, Egypt. It was built by Salah ad-Din, the founder of the Ayyubid dynasty, in the 12th century, and it was the seat of government in Egypt for almost 700 years. In Roberts' painting, the Citadel is depicted as a grand and imposing structure, with its high walls and towers looming over the city below. The painting also includes a number of people and animals, which gives a sense of the bustling activity that would have been common in Cairo at the time. The painting is significant because it provides a detailed and accurate depiction of a historic site that was important in the history of Egypt and the Islamic world. It also reflects the interest in and fascination with the Middle East that was common among European artists and intellectuals in the 19th century. This interest was partly due to the political and military conflicts that were occurring in the region at the time, including the expansion of the Ottoman Empire and the conflicts between the Ottoman Empire and various European powers. The painting also coincides with a period of significant change in Egypt, as the country was undergoing a process of modernization and westernization under the rule of Muhammad Ali Pasha, who was the Ottoman governor of Egypt at the time. This process included the construction of new buildings and infrastructure, the introduction of new technologies, and the reform of the military and the government. The painting therefore provides a snapshot of a specific moment in the history of Egypt and the Middle East, and it reflects the changes and tensions that were occurring in the region at the time.

The artwork "The Entrance to the Citadel of Cairo" by David Roberts is a remarkable piece that showcases the artist's talent for capturing architectural details and the atmosphere of a place. Roberts, a Scottish painter, was known for his series of detailed lithograph prints of Egypt and the Near East that he produced from sketches he made during long tours of the region. This particular artwork is a part of that series. The painting depicts the entrance to the Citadel of Cairo, a medieval Islamic fortification in Egypt. The Citadel is one of the most important historical sites in Cairo and has been a symbol of the city for centuries. Roberts' painting captures the grandeur and majesty of the Citadel's entrance. The artist's attention to detail is evident in the intricate architectural features of the Citadel, from the towering stone walls to the ornate archways. The painting also captures the bustling activity outside the Citadel, with people and animals moving about, adding a sense of life and dynamism to the scene. The use of light and shadow in the painting adds depth and creates a sense of realism. The sky, filled with clouds, suggests the time of day and adds to the overall mood of the scene. The painting is a testament to Roberts' skill as an artist and his ability to capture the essence of a place. It provides a glimpse into the past, offering viewers a chance to experience the grandeur of the Citadel of Cairo as it was during the 19th century. The artwork remains a significant contribution to the genre of Orientalist art, a style that was popular during the 19th century, where Western artists depicted scenes from the East.