$2.40

The Firmament Above the Temple

The Firmament Above the Temple by Paul Klee is a printable abstract painting created in 1922.

Tags: abstract, printable, painting, wall art, paul klee, horizontal, vintage, 01437

Print sizes

Digital download includes 6 print-ready, high-resolution 300 DPI JPEG files, that support the following print formats.

ISO (International paper size) for printing:

  • A6, A5, A4, A3, A2, A1


2:3 aspect ratio, for printing:

  • Inches: 6x4, 12x8, 15x10, 24x16, 30x20, 36x24
  • Centimeters: 6x4cm, 12x8, 15x10, 24x16, 30x20, 36x24, 45x30, 54x36, 60x40, 66x44, 72x48, 90x60


4:3 aspect ratio, for printing:

  • Inches:
    8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters:
    8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60


4:3 aspect ratio, for printing:

  • Inches: 8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters: 8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60


5:4 aspect ratio, for printing:

  • Inches: 5x4, 10x8, 20x16, 30x24
  • Centimeters: 15x12, 25x20, 30x24, 35x28, 50x40, 70x56


Square, for printing:

  • Inches: up to 24x24
  • Centimeters: up to 60x60
Instant download
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The Firmament Above the Temple by Paul Klee

"The Firmament Above the Temple" is a painting by Swiss-German artist Paul Klee. Created in 1922, it is a watercolor painting on paper. The painting measures 32.5 cm in height and 24.5 cm in width. It is currently housed in the Kunstsammlung Nordrhein-Westfalen, a museum in Düsseldorf, Germany. The painting is abstract, meaning it does not depict a clear or realistic image. Instead, it uses shapes, lines, and colors to convey its message. The painting is dominated by a series of geometric shapes. These shapes are arranged in a grid-like pattern. The shapes are mostly rectangles and squares, but there are also some triangles. The shapes are filled with different colors. These colors include blue, red, yellow, and green. The colors are bright and vibrant, creating a lively and energetic atmosphere. The painting also features a series of lines. These lines are thin and delicate. They crisscross the painting, creating a sense of movement and dynamism. The lines are mostly black, but there are also some white lines. The painting is signed by the artist in the lower right corner. The signature is written in black ink. The painting is also dated by the artist. The date is written in the lower left corner. The date is also written in black ink. The painting is framed in a simple wooden frame. The frame is painted black. The painting is protected by a sheet of glass. The glass is clear and allows viewers to see the painting in its entirety. The painting is hung on a white wall. The wall provides a neutral background that allows the painting to stand out. The painting is lit by a series of spotlights. The spotlights cast a soft, warm light on the painting, highlighting its colors and details. The painting is viewed from a distance. This distance allows viewers to appreciate the painting as a whole, rather than focusing on individual details. The painting is considered a masterpiece of abstract art. It is admired for its innovative use of shapes, lines, and colors. It is also admired for its ability to evoke emotions and ideas through its abstract forms. The painting is often studied by art students and scholars. It is also frequently exhibited in art museums and galleries. The painting is a testament to Paul Klee's skill and creativity as an artist. It is a significant contribution to the world of art.

Paul Klee, a Swiss-German artist, used a unique technique in creating "The Firmament Above the Temple". This technique is known as pointillism. Pointillism is a method of painting in which small, distinct dots of color are applied in patterns to form an image. Klee used this technique to create a sense of depth and texture in his artwork. He would apply tiny dots of paint to the canvas, building up layers of color and texture. This technique allowed Klee to create a sense of depth and dimension in his artwork, giving the viewer the impression of looking at a three-dimensional scene. Klee's use of pointillism was not traditional. Instead of using pure, unmixed colors as is typical in pointillism, Klee often mixed his colors, creating a more complex and nuanced color palette. This gave his artwork a unique, dreamlike quality. Klee also used pointillism to create a sense of movement in his artwork. By varying the size and spacing of his dots, he could create the illusion of objects moving in space. This technique is particularly evident in "The Firmament Above the Temple", where the dots seem to swirl and dance across the canvas, creating a sense of dynamic movement. Klee's use of pointillism was a key part of his artistic style, and it is one of the things that makes his artwork so distinctive and memorable.

Paul Klee was a Swiss-German artist known for his unique style that was influenced by various art movements such as Expressionism, Cubism, and Surrealism. The Firmament Above the Temple is one of his famous works, created in 1922. This was a time when Europe was recovering from the devastation of World War I, and the art world was exploring new ways to express the complex emotions and experiences of the time. Klee was part of the Blue Rider movement, a group of artists who sought to express spiritual truths through their art. The Firmament Above the Temple is a perfect example of this, as it depicts a celestial scene above a temple, suggesting a connection between the earthly and the divine. The use of geometric shapes and lines in the artwork is a reflection of the Cubist influence, while the mystical theme is a nod to the Surrealist movement. The artwork also reflects Klee's interest in color theory, as he uses different shades and tones to create depth and dimension. The Firmament Above the Temple is significant because it showcases Klee's ability to blend different art movements and his own personal style to create a unique and thought-provoking piece of art. It also provides a glimpse into the post-war art scene in Europe, where artists were pushing the boundaries of traditional art forms to express their views and experiences. The artwork is a testament to Klee's innovative approach to art and his contribution to the modern art movement.

The Firmament Above the Temple by Paul Klee is a remarkable piece of art that showcases the artist's unique style and innovative use of color and form. The painting, created in 1922, is a testament to Klee's ability to blend elements of Cubism, Surrealism, and Expressionism into a cohesive and visually striking work. The painting is characterized by its geometric shapes and bold colors, which Klee used to create a sense of depth and movement. The use of these elements suggests a celestial scene, with the 'firmament' or sky, represented by the upper part of the painting filled with star-like shapes. The 'temple', on the other hand, is suggested by the lower part of the painting, filled with earthy tones and structured shapes, creating a contrast with the chaotic and vibrant firmament. Klee's use of color is particularly noteworthy, as he was known for his color theory and his ability to evoke emotion through his use of color. In The Firmament Above the Temple, Klee uses a range of colors, from cool blues and greens to warm reds and yellows, to create a sense of balance and harmony. The painting also reflects Klee's interest in the spiritual and the mystical, as the title suggests a connection between the earthly and the divine. The painting's abstract nature allows for multiple interpretations, making it a fascinating piece to study and appreciate. Overall, The Firmament Above the Temple is a testament to Klee's innovative approach to art and his ability to create works that are both visually captivating and thought-provoking.