Tombs of the caliphs Cairo

Tombs of the caliphs Cairo by David Roberts is a printable cityscape painting created in 1796–1864.

Tags: cityscape, printable, painting, wall art, david roberts, horizontal, vintage, 01299

Print sizes

Digital download includes 6 print-ready, high-resolution 300 DPI JPEG files, that support the following print formats.

ISO (International paper size) for printing:

  • A6, A5, A4, A3, A2, A1

2:3 aspect ratio, for printing:

  • Inches: 6x4, 12x8, 15x10, 24x16, 30x20, 36x24
  • Centimeters: 6x4cm, 12x8, 15x10, 24x16, 30x20, 36x24, 45x30, 54x36, 60x40, 66x44, 72x48, 90x60

4:3 aspect ratio, for printing:

  • Inches:
    8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters:
    8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60

4:3 aspect ratio, for printing:

  • Inches: 8x6, 12x9, 16x12, 20x15, 24x18, 28x21, 32x24
  • Centimeters: 8x6, 12x9, 16x12, 20x15, 24x18, 40x30, 48x36, 56x42, 60x45, 72x54, 80x60

5:4 aspect ratio, for printing:

  • Inches: 5x4, 10x8, 20x16, 30x24
  • Centimeters: 15x12, 25x20, 30x24, 35x28, 50x40, 70x56

Square, for printing:

  • Inches: up to 24x24
  • Centimeters: up to 60x60
Instant download
Your files will be downloadable immediately after we confirm your payment. 

Instant download products cannot be returned, exchanged, and are not refundable. If you encounter any issues with your order, please reach out to us.
Return policy

All sales are final. Due to the digital nature of our products, we cannot accept returns or exchanges. Once a digital product has been purchased, it cannot be returned or exchanged. Read more

Tombs of the caliphs Cairo by David Roberts

"Tombs of the Caliphs Cairo" is a lithograph print created by Scottish artist David Roberts in the 19th century. The artwork is part of a series of prints that Roberts made after his travels to Egypt and the Near East. The print depicts a scene of the historic cemetery in Cairo, Egypt, known as the City of the Dead. The cemetery is where many of the Islamic caliphs, or religious leaders, are buried. In the foreground of the image, there are several people and animals. Some of the people are sitting or standing, while others are walking or riding on the backs of the animals. The animals in the scene include camels and donkeys. The people and animals are depicted in detail, with attention given to their clothing and physical features. In the middle ground of the image, there are several tombs and mausoleums. These structures are large and ornate, with domes and minarets that reach towards the sky. The tombs and mausoleums are depicted in a realistic manner, with attention given to their architectural details. In the background of the image, there are more tombs and mausoleums, as well as a cityscape of Cairo. The cityscape includes several buildings and structures, as well as a river and a mountain range. The buildings and structures are depicted in a less detailed manner than the tombs and mausoleums, giving the impression of distance. The river and mountain range are depicted in a simple manner, with few details. The overall color palette of the print is muted, with shades of brown, beige, and gray. The print is detailed and realistic, with a high level of craftsmanship. The print is also large in size, measuring approximately 50 centimeters by 70 centimeters. The print is signed by the artist in the lower right corner. The signature is in cursive script and reads "David Roberts." The print is also titled in the lower left corner. The title is in block letters and reads "Tombs of the Caliphs Cairo." The print is a fine example of 19th century lithography, a printmaking technique that uses a stone or metal plate with a smooth surface. The technique allows for a high level of detail and a wide range of tones. The print is also a fine example of Orientalism, a 19th century artistic and cultural movement that was fascinated with the cultures and landscapes of the East. The print is currently held in the collection of the British Museum in London, England.

David Roberts used a technique called lithography to create the artwork "Tombs of the Caliphs Cairo". Lithography is a method of printing that was invented in the late 18th century. It involves drawing an image onto a stone or metal plate with a greasy substance. Then, the plate is treated with a mixture of gum arabic and nitric acid. This mixture sticks to the greasy areas and repels water. When the plate is inked, the ink sticks to the greasy areas and is repelled by the water-soaked areas. The plate is then pressed onto paper to create the final image. Roberts was known for his detailed and accurate depictions of architecture and landscapes. He used lithography to capture the intricate details of the tombs in Cairo. He would first sketch the scene on location, then transfer the sketch to a lithographic stone when he returned to his studio. He used a variety of tones and textures to create depth and detail in his images. He would often use a light touch to suggest distant objects, and a heavier touch to depict objects in the foreground. He also used hatching and cross-hatching to create shadows and to suggest the texture of different materials. Roberts' use of lithography allowed him to create highly detailed and realistic images that captured the grandeur and beauty of the tombs in Cairo. His work is a testament to the power of this printing technique.

David Roberts was a Scottish painter who was known for his detailed and vibrant depictions of exotic locations, particularly those in the Middle East. His painting, "Tombs of the Caliphs Cairo," is a prime example of his work during the mid-19th century. This painting was created during a time when there was a growing interest in the Western world about the culture, history, and architecture of the Middle East. This was largely due to the expansion of European colonial power in the region, which brought about increased contact and exchange between the East and the West. Roberts' painting reflects this fascination with the Middle East, as it presents a detailed and romanticized view of the tombs of the caliphs in Cairo, Egypt. The tombs, which were built during the Islamic period, are depicted as grand and majestic structures, surrounded by a vast desert landscape. The painting also includes several figures, who are shown in traditional Middle Eastern attire, further adding to the exotic and romantic feel of the scene. The painting was created shortly after Roberts' travels to Egypt in the early 1840s, during which he made numerous sketches and studies of the local architecture and landscapes. These studies served as the basis for many of his later paintings, including "Tombs of the Caliphs Cairo." The painting is significant not only for its artistic merit, but also for its role in shaping Western perceptions of the Middle East. Through works like this, Roberts helped to create a romantic and exotic image of the region, which continues to influence Western views of the Middle East to this day. At the same time, the painting also serves as a valuable historical record of the architecture and landscapes of 19th-century Egypt, providing a glimpse into a world that has since changed significantly.

The artwork "Tombs of the Caliphs Cairo" by David Roberts is a remarkable representation of the 19th-century Orientalist art movement. Roberts, a Scottish painter, was known for his detailed and vivid depictions of landscapes and architectural structures. His work on the "Tombs of the Caliphs Cairo" is no exception. The painting showcases the tombs of the Mamluk rulers in Cairo, Egypt. These tombs, built between the 13th and 16th centuries, are a testament to the architectural prowess of the Mamluk era. Roberts' painting captures the grandeur and intricacy of these structures with a high level of detail. The tombs are depicted as monumental and imposing, reflecting their historical significance. The painting also captures the atmospheric conditions of the location. The sky is a mix of warm and cool tones, suggesting the time of day is either dawn or dusk. This adds a sense of tranquility and serenity to the scene. The presence of local people in the painting adds a human element, providing a glimpse into the daily life in 19th-century Cairo. The painting's composition, with the tombs in the foreground and the cityscape in the background, creates a sense of depth and perspective. This allows the viewer to appreciate the scale of the tombs in relation to the surrounding environment. The use of light and shadow further enhances the three-dimensional effect of the painting. Overall, "Tombs of the Caliphs Cairo" by David Roberts is a masterful depiction of a historical site, combining architectural detail, atmospheric conditions, and human presence to create a compelling and realistic representation of 19th-century Cairo.